you wouldn't understand – it's a secret

  1. Once upon a time in Psychic Land...
    We just had fun with some characters and lots of other stuff, hope you enjoy.
    Follow us: facebook.com/2veinte

    Directed by: 
    Pablo Gostanian
    Art Direction & Design:
    Pablo Gostanian
    Animation Directors: Martin Salfity & Pablo Gostanian
    3d Animation: Martin Salfity, Sebastian Garcia & Juan Pablo Siaccaluga
    Monster Modeling & Animation: Sebastian Garcia
    Postproduction: Pablo Gostanian
    Additional Animation: Jorge Herrero
    Music and sound fx: Hula-Music.com

    - TAAFI Festival (Toronto) / Annual Toronto Animated Arts Festival International / taafi.com
    - Pause Fest (Australia) / Showcases projects celebrating the art & innovation of digital culture / pausefest.com.au
    - Visueltdagene (Oslo) / Annual event for the creative industry in Norway / visuelt.org
    - Animayo (Spain) / VII International Festival of Animated Films, Visual Effects and Video-Games / animayo.com
    - Rushes Soho Shorts Festival, London / sohoshorts.com/

    # vimeo.com/39659731 Uploaded 212K Plays / / 224 Comments Watch in Couch Mode

  2. Project by Daniel Franke & Cedric Kiefer

    produced by:
    onformative.com
    chopchop.cc

    Documentation:
    vimeo.com/38505448

    Music: Machinefabriek "Kreukeltape"
    machinefabriek.nu/

    Text: Sandra Moskova

    The basic idea of the project is built upon the consideration of creating
    a moving sculpture from the recorded motion data of a real person. For
    our work we asked a dancer to visualize a musical piece (Kreukeltape by
    Machinenfabriek) as closely as possible by movements of her body. She was
    recorded by three depth cameras (Kinect), in which the intersection of the
    images was later put together to a three-dimensional volume (3d point cloud),
    so we were able to use the collected data throughout the further process.
    The three-dimensional image allowed us a completely free handling of the
    digital camera, without limitations of the perspective. The camera also reacts
    to the sound and supports the physical imitation of the musical piece by the
    performer. She moves to a noise field, where a simple modification of the
    random seed can consistently create new versions of the video, each offering
    a different composition of the recorded performance. The multi-dimensionality
    of the sound sculpture is already contained in every movement of the dancer,
    as the camera footage allows any imaginable perspective.

    The body – constant and indefinite at the same time – “bursts” the space
    already with its mere physicality, creating a first distinction between the self
    and its environment. Only the body movements create a reference to the
    otherwise invisible space, much like the dots bounce on the ground to give it
    a physical dimension. Thus, the sound-dance constellation in the video does
    not only simulate a purely virtual space. The complex dynamics of the body
    movements is also strongly self-referential. With the complex quasi-static,
    inconsistent forms the body is “painting”, a new reality space emerges whose
    simulated aesthetics goes far beyond numerical codes.

    Similar to painting, a single point appears to be still very abstract, but the
    more points are connected to each other, the more complex and concrete
    the image seems. The more perfect and complex the “alternative worlds” we
    project (Vilém Flusser) and the closer together their point elements, the more
    tangible they become. A digital body, consisting of 22 000 points, thus seems
    so real that it comes to life again.

    nominated for the for the MuVi Award:
    kurzfilmtage.de/en/competitions/muvi-award/selection.html

    see video in full quallity:
    daniel-franke.com/unnamed_soundsculpture.mov

    HQ Stills
    flickr.com/photos/37752604@N05/sets/72157629203600952/

    # vimeo.com/38840688 Uploaded 597K Plays / / 188 Comments Watch in Couch Mode

  3. Algorithms as narrative

    There are plenty sorting algorithms out there, and each fresh computer scientist has to learn and understand them. They are categorized by how fast they are, or how many memory they use. A sorting algorithm is a strategy to order a random or chaotic set of numbers. The most were invented between 1945 and 1964, in the very early days of computer science.
    While a sorting algorithm itself is very techno centric, we are intrigued by possibilities of using the process of sorting as a narrative. It contains the story of something unordered becoming meaningful. Finding references in the chaos. Those who sort and organize might be able guide others.

    As an experiment, we wanted to investigate in the different visual forms, the process of sorting can have. Each sorting algorithm reveals its particular strategy as a unique pattern. We took a row of pixels of a photograph and sorted the pixels by their color value. Since Processings color object is actually a number, they are perfect to be ordered. It worked well with grays, but revealed an unintuitive sorting of the colors. While they are ordered mathematically, one expects the gradients to be different.

    In the next step we took each pixelrow from top to bottom, scanning and sorting image. This way a certain rythm of color hues, brightness and darkness is added to the sorting processes. Each animation has a duration if 720 frames, since 720 rows were sorted from top to bottom. We like the idea of translating the image dimension into the time. The next step would be to think about how the image has to look like, to create a certain rythm, and in the end maybe a story.

    Music: Ranta by Vladislav Delay
    Image of the Enchanted Forest: Andrea Andrade

    # vimeo.com/23106882 Uploaded 3,084 Plays / / 2 Comments Watch in Couch Mode

  4. # vimeo.com/35768608 Uploaded 7,126 Plays / / 4 Comments Watch in Couch Mode

  5. Exploring the tension between Surface and Volume.
    One gives birth to the other as white lines rise from
    black space and give shape to invisible structures that
    are driven by sound.
    Inspired by the dazzle paintings of Edward Wadsworth
    and powered by the energetic music of The Glitch Mob.
    Directed and animated by Markus Feder.

    Credits:
    Direction & Animation: Markus Feder
    Music: The Glitch Mob
    Track: “Fistful of Silence” from the Album “Drink the Sea”

    Year: 2011/2012
    Length: 2 min 50 sec
    Available formats: HD 720p file, DVD

    markusfeder.com/fistful-of-silence

    # vimeo.com/33334744 Uploaded 64.2K Plays / / 41 Comments Watch in Couch Mode

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you wouldn't understand – it's a secret

Peder Norrby PRO

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  • We are Magnolia

    Hello! Check out our fashion film DESAMORES.
    “Desamores” means loveless, portrays the essence of disaffection and appreciation of old regards, through unsettled memories and feelings between two women.
    vimeo.com/user22988179/desamores

    by We are Magnolia

  • Konstantin

    vimeo.com/86369266
    a̡̦̬̹͕̦͉̜͂̒ẘ͖̖̤̺̰͙͐̀̿̊ͅe͔͉̖̪̳̪ͣ̓ͨͣs̬̩͉̦̥̝ͬo̶͋m̘̞̬̩̫̲̄ͤ̅̑͞e̡͙̥͖̫̔̎ͨ ̶̼̤͇̖͇̮̟̃͆͌ṿ͍̤̗͔̹̓͂i̢̖̭͓̣͆̚dͥ̄̈́͘e̜͍̅̈̄ͥͭ͘o̖ ̵̬̬ͫͯ̓̇̚h̫͇ͦ͐̚͜ḛͧͣ̽̓ͦṛ̝̥ͮͯͤͅe̷̺̮̐̌ͧ
    ̞͕̱͍̜̽ͦͯ̒E͏͍͕̫̯ͅ.̴̞̟͔ͫ̆̍O̝ͫͣ.͈̱̜̯̮̳̇̃͜N̢ͤ.̵̳͉͓̌ͅ ̩̣͖͉͉͂̔|̬̗̑ͤ ͯ̌ͮ̔ͅẺ̈́̽v̘̹͓͕̼͉̓̽̄̅ỡ̻̖̤̰̟̦̤̅̔l̟̹͎̤͈ͤ̐̅̔͊u͎̜̣̱̟̫̣̚͡tͩͫ͑̀ïͪ͑͡v̰̦͉̔͒ͭͫ̏͌ͮe͎̥̘͙̻͒̈ ͔͓̟̦̣̱ͮ̽͊̅Ò͍̼͉͊ͦr̡͎̲̝͈g̘͍̜̼̐̅ḁ͕̋̌̈́̔ͤ̚ͅn̪̺̔̀ͦͨ͛͗̾͢ͅiͩͬͩ͐̆͛͏̘̬̙c̑̾ͩ ͨ͊̓̑̈́ỉ̳̦̻͉̼͍̽͆ͨ͐̓ͬͅN̤̪͖̳̻͍̲̐ͣ́t͙̺̮̟̮̽̄̊͊̐̓e̱͍̮̬ͬͬ̀́̾r̷̮̰̥̙̤̮ͫ̅f̟̥̪͊ͧͥa͔͚͕̳͓̪̔̐̈̇͑ͤͦc̪̪͔̭̦̣̲ͬ̅̓͠ẻ̤̭̐ͪ̄͑
    vimeo.com/86369266

    by Konstantin

  • denial of service

    戦争 SENSOU (version) - official music video -

    * Viewer Discretion Strongly Advised *

    extreme degradation / datamoshing / pseudo-slit-scans / timestretching / glitch worship /
    towards the Ballardian juxtaposed BDSM romanticism of my latest electronic track SENSOU

    paraphilic dreamscapes via pornographic elements of war & horror | the obliteration of being

    across anthropomorphic strata | fetishist fragmentation | the death of affect - dissociation and

    responsibility

    vimeo.com/90306625

    by denial of service

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