Client: Vgroup, 00
Role: Art Direction, Design, Animation, Compositing
Date: June 2010
Format: Short Film 1280x720 HD
Sound: Combustion

TRIANGLE is a video work done for the book 'Black Material' which showcases Robert Knoke's artwork.
Curator Jens Karlson asked me to make a short animation and get Robert Knoke's black and white artwork as base for video. I chosed to create tense harmony between geometrical forms and organic movements. Combustion helped me to expand possibilites of Black material with his strong music and sound design.

Thanks to Renascent, Combustion, Jens Karlson, Firat Parlak, Ipek Torun, Mert Kizilay, Omer Kasımoglu also who has voted for this video for Vimeo Awards.

Official music video for Blockhead's 'The Music Scene'.

An animated mind melt into a post human New York where TV and animals rule. All cast to the sincerely melodic soul of Blockhead's 'The Music Scene.'

Directimated by A.F.Schepperd
Commissioned by Ninjatune Records
Music by Blockhead

Originally created as part of a campaign for Nike Japan with AKQA San Francisco, this is ilovedust's director's cut of the ad.

Music: Repair Machines by Vitalic

*floating*
the new experimental film by robert seidel... about overwritten memories while traveling...

scored by heiko tippelt... finally joined after _grau...

coming...

compression is quite harsh, please download the quicktime version!

_grau is a personal reflection on memories coming up during a car accident, where past events emerge, fuse, erode and finally vanish ethereally … various real sources where distorted, filtered and fitted into a sculptural structure to create not a plain abstract, but a very private snapshot of a whole life within its last seconds …

Media critic Matt Hanson, author of The End of Celluloid and founder of onedotzero festival says: "_grau appeals to me because it is organo-tech. it does not deliberately ape the abstract pioneers of abstract cinema, and it is worlds away from the motion graphic masturbation of many of those enamoured by digital animation. seidel's work is impressionistic, melding biological and emotional currents. out of amorphous shapes we make out bones, heads, a hand. a spirit leaving the body. at least, this is what i sense out of the chaos of galactic reconfigurations, neurological connections, and biological forms. this is a powerful piece of digital animation precisely because it does not feel like such, it feels emotional, epic. and once you release the background to the animation--communicating a 'coming to terms' with the aftermath of a car accident--you realise why."

Robert Seidel | 10:01 minutes | Germany 2004 | 2minds.de