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You can find lots of footage on dvxuser.com and hv20.com
BUY ONE!
But I also agree these are amazing images for that price from such a small camera. Somebody get one! or steal one.
server: hv20.info
user: anonymous
pass: anonymous
Lots of footage there.
I almost want one.
Come on lucky lotto! yeah right.
it's very likely that these guys are Brooklyn Crooks, but at 550 it might be worth checking out.
my two cents: HDV is no good. The quality is quite nice, but the compression makes your computer run super hard (it quite often crashes my rig, which has 16gb of memory and dualcore.)
also, I have had numerous issues with Canon video products, especially regarding video hardware. I've had two Canon's shit out on me, a GL and an XL-1. they make fantastic still cameras but I really have had no luck with the electronics of Canon video gear. so, unless you have a crazy fast quad or octo-core setup and a ton of memory you may want to just stick to a great 3ccd camera.....
HDV all around is pretty crappy then. Can the same 'still' be said for Sony's flavor of HDV. Because from past readings, Sony kinda jump the gun on HDV (just to sound dope) and have a "cool-lookin" camera but poor format. MPEG2?? wassup with that? That's just as good as ripping a DVD to me. I may be wrong.
I don't know what's wrong with your computer, judesays, but you should not be having a problem. Tell me you're not trying to work off your internal HD.
Regarding the topic at hand, I got an HV20 for a project that I'm working on, and I'm very, very pleased with the camera. The HDV looks great, and the camera is very well put together. I wouldn't be so quick to dismiss it.
It just makes things hiccup less and is more efficient.
Got to have that Dof and follow focus back, sick of the whole world in focus.....
You are working with "HD" - get more RAM. The application will only work smoother and you'll get faster render times. Beyond ram get a faster hard drive. External if on laptop and internal if on a tower. A 7200rpm SATA hard drive will do wonders.
i just got an external hard drive.
i'll probably use the next pay check to buy more RAM...
The DOF is really amazing, focus works just well... popping colours, good manual functions and YUUUMMY awesome sharpness.
Uploaded some Testfootage for your eyes pleasure
I am worried about the audio quality, though ... Ah well, we'll figure it out! :)
So, Sony HDR-SR5 or Canon HV20....suggestions greatly appreciated!
I'm camera shopping too and all things point to the HV20.
vimeo.com/325709
(but I think you can probaly find more by searching HV20 with the search function. Look at the videos uploaded recently)
24p maximizes your light intake, so I keep it on at all times. Same with Cine mode, which alters the gamma, giving you much more shadow detail. Then I use the Custom image mode, and set it to Detail -1, Color -1, Contrast -1, Brightness +1. That gives you a nice low contrast image, with plenty of room for color correction.
Another well-known trick is to put a miniSD card in the slot, after which you can see aperture and shutterspeed info by half-pressing the "photo" button. That can help you get the aperture, shutter and gain settings that you want. It's a bit of a pain, but in all honesty, it doesn't take any longer than setting that stuff manually on my GL1...
HDV is a compromise, but if you're careful with your shooting, it can work out to be a very nice compromise. I'm shooting some greenscreen tests with the HV20 -- I'll post them here soon. So far, things are looking very good...
The quality outta this thing is superb! I sure hope the 4:3 output is just as nice. The camera also features mic in and headphone out, hot shoe and everything you'd want. I think I've decided on this camera, but would like to know more about the 4:3 aspect output quality.
Oh! I need to know one other thing. Who's gonna buy me one for Christmas! 8-)
jetsetmodels.info/tutorials.htm
I have to say that after seeing all the footage on that FTP server I am seriously figuring out plans in my head for grabbing one of these.
But you can record in HDV, then crop during editing to output 4:3 in "HD" resolution if needed. Will certainly beat DV quality.
I also have had some regular occurrences of artifacts with a line rippling quickly up the image. Has anyone else had that problem? It kind of annoys me and ruins some shots. I'll try to start posting my HD videos of me and two friends hiking the John Muir Trail this June. You'll see what I mean if you watch really closely. Just new to vimeo, but loving the community and the features here.
In most cases the rolling effect is not visible.
Erm, that's okay. I'll have the option to move to HDV in the future but I wanna stick with 4:3 right now. So if anybody has complaints about the quality of the 'normal' aspect ratio with this camera, let me know. Also, I'd like to see what it can do in this mode. Does it record as MPG or.... whut? Lets see some samples, eh? I've found only one.
rebelsguide.com/dl/hv20-hh.jpg
redrockmicro.com/
They make 35mm lens adapters and its supports, for SD and HD video cameras. So you can use 35mm lenses with pro and non-pro cameras, like the HV20.
That particular picture has an HV20 hooked up to it.
I dig this set-up. It's really really well made.
Compared to: flikmchikm.tumblr.com/post/7474559
In that post I'm not knocking DIY HV20 35mm adapters. I am commenting on people that spend lots of time striving to make their consumer camera look "Pro".
Does this mean there is a new updated model coming out soon? Hasn't it been out for a year now?
ALL High-Definition video will have an aspect ration of 16:9... Unless you crop the image that is. If you want 4:3, you will have to stick to SD regardless of what equipment you choose.
$689 on Amazon. No Tax and Free Next day shipping!
Also, B&H has em for $750 with a free how to DVD & a $75 gift card...
HV20 is a classic. ;)
I'm gonna try and pick one up.
I am a pro photographer from Sweden, just started with video.
picturesbybonnevier.com
sweetwater.com/store/detail/VideoMic/
I bought mine from Sweetwater Sound which I HIGHLY recommend to everyone but since you are in Sweden that probably isn't an option for you ;-)
I've also found that if you're using a Mac, you can download the Firewire SDK for free and use DVHScap and a firewire cable to record m2t captures directly to your harddrive without needing tape.
I will absolutely think about the steadycam issue, though I use tripod most of the time.
Firewire SDK seem very interesting.
Specifically, what is a 35mm adapter?
And where can I get other nice lenses?
Thanks!
Scan some of the HV20 Videos and see what people are using. You'll usually find lenses, applications and tips in the comments.
So... for example, I'd like to get tight shots on their artwork. A macro lens might do the trick.
Any recommendations on where I can buy good lenses for the HV20 online?
hm, i wanna buy some lenses on ebay if i find any one cool. thankx
Darrell
your world in HD is so much better!
my advice if your having troulbe editing the HDV footage. convert it to something like AVI first usings ciniforms tools really does seem to help.
while other HD formats may offer better quality. for the price you cant really beat the HDV quality of the canon hv20 plus p2 cards are rediciously expensive and can only hold like 20 minutes of video each.
That's not completely true and you are comparing a recording format that records professional standard and hi-def codecs to a recording format that records a con/pro-sumer codec to tape.
There is a good reason why DVCPRO HD's high bitrate of 100Mbit/sec is recorded to fast P2 cards and HDV's low bitrate of 25Mbit/sec intraframe mpeg2 is recorded to old-skool tape.
A fairer comparison would be HDV to AVCHD (h.264) which is normally recorded to hard drive or SD cards.
How can one resist.
I want to thank all of you who are very helpful and make intelligent comments here . Some of the less technical people like myself this is very helpful.
Anyone has a suggestion for a good price and where can I buy one?
Ended up buying mine a couple of weeks ago from ebay, brandnew with a crapy tripod and pag, for 649. That was the best deal I could find.
I've always wanted to make movies, and now that I have this camera and sony vegas pro 8.... all I need is the talent to put in front of it =)
I keep thinking I see it in other people's work too, but no one else seems to notice or say anything. Am I crazy, because my HV20 was stolen in Africa and I don't think I'm going to buy a new one for this reason alone. Maybe I had a faulty one, but I'm worried its an artifact from the rolling shutter, which even scares me off of the spendy new Sony XDCAM EX1 and the Red Camera (can't afford that though) Am I offbase with my worries or are they valid?
This is the best example of what I was seeing in my footage. Ignore the person's DOF adaptor and the fact that it's not 16 by 9.
vimeo.com/765723
Watch from 13-36 seconds and you will see a ton of what i'm talking about.
Do you see the ripples and the flickers in the content. I just downloaded his original file, unfortunately my computer was too slow to really play it, so I can't be sure it's not the encoding etc. but this is the kind of thing that was in my original content that I was editing in FCP. These ripples and flickers in the moving image is the problem I had. The whole purpose of video cameras is to record moving objects, something it seems this camera or at the very least my camera and this guy's camera has problems with. I'm trying to get to the bottom of this problem before buying any new camera. Any thoughts, help, or advice is appreciated. I'm not trying to rain on the HV20 parade but I was disappointed in this particular issue.
philipbloom.co.uk has some examples in a short of his under "trench" or something else recent. I still would buy a hv20 if I were you or a Sony Z1-U, HD is the way to go and I think sony and JVC are bringing us up on how it should be done under budget. Canon is great for lenses but almost crap on the tape heads and interfaces they produce.
In this image, check out the poles and vertical lines towards the left and right of the scene, you can see a weird bow in them:
rebelsguide.com/dl/HV20_examp_01_sm.jpg
Red cameras are able to compensate for this with extremely high data rates as well as having far superior optics and shutter controls.
vimeo.com/1457177