The concept of disappearing into the hills with a camera, small crew and two actors was the inspiration I needed to make The Seventh. All the beauty of the countryside was waiting to be captured: what better set in the world?
The film attempts to reflect this realism through design and character, but with a dream like structure and the feeling of taking the audience in and out of consciousness. It aims to evoke the reality that we feel when dreaming: totally believable at the time, but unreal to look back on. Secluded areas, the rocky land, dense ferns and rolling landscapes provide a perfect setting to achieve the look and vastness of the film, both in literal terms and thematic.
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