Tintinnabuli (little bells):
At the style’s core lies a “duality”, a new sort of “basic structure”: two parts join to form an
inseparable whole. One of the two is the omnipresent major/minor triad, the notes of which are
bound to the other – the so-called “melodic voice” – by strict rules. A “duality” of two
juxtaposed parts, which exist only in connection with one another.
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