" baryeh Ehteram"
Music / Gloria Rohani
Filmography / Abbas Hojatpanah, Sohrab Akhavan & Suzie Ziai
Dance and Choregraphy / Shahrokh Meshkinghalam
Created and Produced / Massod Vadiee & Arden Zahedi-Bogucka
A Dokumuzik Projekt , UK 2012
Dancer and Choregraoher / Shahrokh Meshkinghalam (Paris France)
Shahrokh Moshkin Ghalam graduated from University of Paris VIII with a degree in History of Art and Theatre. He specializes in Middle Eastern folklore and mystical dance and has a deep interest in Indian, Indonesian and Flamenco dances.Shahrokh joined the renowned Theatre du Soleil in 1991, where he played lead roles in Ariane Mnouchkine's productions of Tartuffe" "La ville parjure" and "Les Atrides".In 1997 he established the Nakissa Dance Company and created: A Persian Night's Dream, The Route of Orient, Nostalgia or Ghassedak, The Seven Pavilion of Love (Haft Peykar), Omar Khayam, Les Danses Mythologiques, Mani the Bouddha of Light, Rumi Le brûlé and coming soon: Hafez.Meanwhile, he has also been playing in: "Twelfth Night of Shakespeare directed by Christophe Rauck, "Romeo and Juliette directed by Lionel Briand, The Baccantes" of Euripide directed by Usevio Lazaro, "Soldiers Tale" of Strawinsky and La Diva DAuschwitz directed by Antoine Campo, "A Streetcar Named Desire" of Tenesee William directed by Phillip Adrian, "Kidnapping at the Seraglio" of Mozart directed by Jérome Deschamps and Macha Makeïef.He directed Zohreh va Manouchehr" (Venus and Adonis) of Shakespeare in Persian and Mardha va Chiz" (Men and the Thing) and Kafané Siah" (Black Shroud).Since January 2005 he has been an official member of the "Comédie Fançaise" (the house of Molière) playing in: Le Sicilien of Lully-Molière directed by Jean-Marie Villégier, La Maison Des Morts of Philippe Minyana directed by Robert Cantarella, "Pedro et Le Commandeur of Felix Lope de Vega, directed by Omar Porras.
Gloria Rohani (Iran)
Gloria Roohani was one of the well known Iranian folk singers prior to the revolution. "Lalehayeh Ashegh" is the the artist's latest work .
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