Mark Graver Plus

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New Zealand

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My practice has centered on printmaking since 1985 with the content and context of the work evolving and developing in tandem with new technical and technological processes and approaches to now include video, digital printmaking and sound work alongside ‘traditional’ handmade works.

Interest is currently concentrated at the point where these approaches meet and cross - the nexus of the editonable act/event/encounter of pulling a print, screening a video or recording a sound, the re-presenting of this act/event/encounter and its relationship to memory, place and time.

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  1. ANTANAS JASENKA