Ted Ollier was born in the midwest, lived in the south, and now resides in the northeast. He has been a photographer, graphic designer, bass player, typographer, web pioneer, informational leafblower and armchair philosopher. He has also worked a variety of day-jobs, the details of which are not terribly important.
He holds degrees from the University of Texas, Texas State University and the Massachusetts College of Art and Design. At present, he is a printmaker and conceptual artist working in the Boston community of Medford. He is active at the Mixit Print Studio and teaches letterpress and design at the Bow and Arrow Press in Cambridge.
His concerns are with data and its interaction with the consensus reality, and how that reality is affected and changed by that data. Oftentimes the simplest visual representation of a dataset is enough to engage the interactor in ways far beyond the naïve reading of that information. Although the didactic element of information transfer is always present in his work, his true focus is on revelation and enlightenment, and the joy of finding a previously-unnoticed detail in the landscape of life.
He lives with Bettina, a molecular biologist; Raster, a flame-point Siamese; and Hopper, a chow/shar-pei mix.
worthless... not sure what this is meant to do but unless you know the movie is is basically a cacaphony of sounds and images that might be artistic but has no value in understanding the plot or message of this classic movie.