Paul smith Plus
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I have my own company, Busty Kelp and am working with Andy Serkis' /Jonathan Cavendish's Imaginarium as a Performance capture/ digital character artist.
CGI-wise, Im an old-school generalist and I have specialist skills on the facial side but I enjoy satisfying my inventor streak by coming up with ideas that I can realise in softimage ICE, which I evangelise about as I think it's the most amazing tool.
I got into animation (stop motion originally) because I want to make stories, and now with performance capture, I feel like its a fresh medium which has an interesting future (even if its had a shaky start at times) and I'm fortunate to be developing some of my own P-cap based projects.
