1. LUMIX GH4 - Ki Pro Quad - Lexington, KY, 7:45 am

    02:11

    from Peter Dimako / Added

    58 Plays / / 0 Comments

    Footage from a Lexington, KY farm. Shot with a Lumix GH4 sent to a Ki Pro Quad in 10 bit. Shot with a Voigtlander 25mm / .9, and Canon 70-200 USM II lens with a Metabones Speedbooster

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    • C500 4:4:4 4K Footage to Ki Pro Quad - Short

      00:46

      from Peter Dimako / Added

      137 Plays / / 0 Comments

      Some quick sample footage from a Canon C500 with Ki Pro Quad. Shot at 4K with 4:4:4 on a Ki Pro Quad.

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      • Panasonic GH4 - Downhill Skateboarding Test

        01:29

        from Mike Roberts / Added

        33 Plays / / 1 Comment

        Shot on my Panasonic GH4 and upsampled to DNX 440X 1080p 29.97 (RGB 444) just to see how it would look. Files sizes were a bit much but I figured it was worth a try. Any feedback or comments are more than welcome! Rider: Kenny Napp Video: Mike Roberts @ SLO Stoked Productions

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        • Visual Selects from "Biomimicry"

          01:11

          from Ed David / Added

          1,312 Plays / / 9 Comments

          Some visual selects from "Biomimicry," a documentary by Michael Kleiman, Director MICHAEL KLEIMAN http://righteouspictures.com/ Producers JOEY CAREY & STEFAN NOWICKI http://www.sundial-pictures.com/ Cinematography ED DAVID http://www.kittyguerrilla.com Shot on Sony F35 to PIX 240 via AJA Multiplexer 12-bit 4:4:4. Used FilmConvert in post to grade along with magic bullet and final cut pro. One day I will learn Resolve :). Used Zeiss Ultraprime Lenses and Dana Dolly! And then put Gorilla Grain on top of it !! Download the original to see with full grain! This is the old 2005 Sony F35 camera, which is the same sensor as the Panavision Genesis. It was used a lot in Hollywood and elsewhere but is mostly abandoned because its heavy and also its native ISO is only 450. Not that much fun when all the new toys started coming out - the Red One then the Alexa with its native ISO at 800 and then it went away mostly. But what's interesting about the camera is that it is a CCD sensor. All modern cameras now have CMOS sensors. This guy can get colors - true representation of Red, Blues, and Greens on it. But what is resolution anyway if it compromises color. And out to the PIX 240 you can get that 4:4:4 12-bit magic. Anyway - its a pretty interesting going into the past to older tech that used to be completely unaffordable - it feels like exploring ruins. I thank MacGregor and dvxuser.com for getting me to go down into this rabbit hole. Music: Pompas de jabón by Circus Marcus (http://www.circusmarcus.net/)

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          • Jim Cat - 1train Freestyle (OFFICIAL VIDEO)

            02:04

            from SS ENT / Added

            379 Plays / / 0 Comments

            Jim Cat - 1train Freestyle Follow us at https://www.facebook.com/sharpshootersmusic Hear more music at http://soundcloud.com/sharpshooters-ent/ Recorded, mixed and mastered at SharpShooters Studios

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            • Raw on the beach

              02:12

              from N/A / Added

              7,010 Plays / / 11 Comments

              Testing out ML's raw, 14 bit video feature on the 600D (T3i). Rokinon 35mm Cine, cheap ass wobbly tripod. Shot over the course of a week with a few different alpha builds of raw video for 600D (Tragic Lantern 2.0). 1152x480 resolution, uprezzed in post to 1280x533 Shaky video due to handheld shots and strong wind, the build itself was very stable for being so new. Bad pixel areas pop up here and there, they've since been addressed in the new builds. Banding and some aliasing from the uprez.

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              • Canon 600D 14 Bit Raw Noise ReductionTest

                02:08

                from N/A / Added

                862 Plays / / 2 Comments

                A quick shot done at Iso 6400 on the Canon 600D. Testing out the ML raw video feature. Noise reduced in After Effects with ACR during import of dng's, and Neat Video after import. Rokinon 35 Cine

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                • PIX 240i Interconnection with the Sony F3

                  06:34

                  from Sound Devices / Added

                  1,832 Plays / / 0 Comments

                  Technical overview of the connections between the Sound Devices PIX 240i and the Sony F3. This covers video frame rate settings, timecode, start/stop flags, and file setup.

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                  • Interconnection of the PIX 240i with the Canon C500

                    02:22

                    from Sound Devices / Added

                    1,819 Plays / / 0 Comments

                    Interconnection of the PIX 240i with the Canon C500

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                    • Canon en IBC 2012 - Antonio Pequeño

                      03:48

                      from Cinevideo Online / Added

                      167 Plays / / 0 Comments

                      Antonio Pequeño, jefe de producto de imagen digital de Canon España, explica en este video grabado en IBC 2012 los detalles de la nueva joya de la corona cinematográfica de Canon: la C500. A diferencia de la C300, tiene 2 canales de salida 3G-SDI, puede trabajar en 4K y sacar imagen con muestreo 4:4:4. También destaca la versión C100 de presupuesto más reducido y habla de nuevos objetivos compactos 14,5-47mm y 30-305mm específicamente diseñados para cine, así como lentes prime de focal fija. Visita la página de Cinevideo en www.cinevideonline.com Para conocer nuestra feria virtual de tecnología audiovisual, acude a www.expoaudiovisual.com

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