1. 동아오츠카 오라떼 건소형의 도심 속 장난!

    01:17

    from Kang / Added

    4 Plays / / 0 Comments

    무탄산, 무색소 오라떼 상큼한 과즙음료! 오라떼! 오라떼 건소형의 심심하지 않은 하루! 도심 속에 나타난 건소형의 장난에 놀라지 마세요!!

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    • Mayo 4 - Gabriel Borja - Vivir en el espíritu 1

      37:28

      from Comunidad Cristiana de Puebla / Added

      55 Plays / / 0 Comments

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      • A Friday Short In Dresden

        04:19

        from komplex Filmproduktion / Added

        588 Plays / / 9 Comments

        Filmed with BMPCC at 24fps in RAW in Dresden. Aspect Ratio: 2.35:1 Lens: Sigma 18-35 F1.8 with Metabones Speed Booster NF-BMPCC also using a 77mm Fader Vari-ND (ND2 to ND400-Filter) -> a cheap and ugly filter CC in DaVinci Resolve, graded in Premiere with CCP Cineplus Cinema Plugin. Stabilized in AE. Thx to Cathleen Hobe & Clarence the Dog

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        • Café com Prosa

          03:03

          from Mark Hamby / Added

          6 Plays / / 0 Comments

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          • Cineplus Cinema Plugin

            01:54

            from John Hope / Added

            1,913 Plays / / 0 Comments

            Demo of the Cineplus Cinema Plugin nicknamed CCP, for Adobe After Effects and Premiere Pro, Mac and Windows. Get it at http://www.cineplus.ch The images in this video are copyrighted by the respective owners: fstoppers https://vimeo.com/82237053 Conor Gomez https://vimeo.com/24502570 a + b = c https://vimeo.com/50588355 Mario Epsley https://vimeo.com/64512573 Jason Xinzhou PHFX phfx.com John Brawley http://www.johnbrawley.com Drew Hansen https://vimeo.com/artofwandering Tobias Fonsmark http://www.flickr.com/photos/42685625@N04/ Luis Alberto https://vimeo.com/67963695 Yousei Ohashi, Director / Producer / Colorist http://www.signal508.com http://www.facebook.com/signal508 Kei Takahashi, Director / Producer / Colorist http://www.kid-gp.co.jp/portfolio http://www.facebook.com/kiddesignoffice 12 primary and secondary tools in one smart plugin: As pro filmmaker, sometimes you don't want to export your work into external color grading suites, creating too many steps in the editing workflow. The CCP, does it all in the box and at a highly pro quality. And it offers great quick start presets for instant satisfaction, plus 18 sliders mapped to complex primary and secondary color grading algorithms, to fine tune your movie's look. CCP Works with any footage: Red, Blackmagic, DSLR, ENG, Prosumer and Consumer cameras. Unlike LUT's based engines, CCP is highly versatile: You choose your movies' look up to the finest detail. In Adobe Premiere Pro, before applying the CCP plugin, set the video and still playback resolution to 1/4 to allow for a snappier tweaking. CCP is a 12 layers grading suite and can be CPU hungry. Then choose a Quick Start preset and tweak it at your taste Footage: Works with almost any footage. Resolutions: No resolution or codec restrictions CCP Features Film Saturation IT'S ALL ABOUT COLOR RICHNESS Film saturation looks diametrically different from digital saturation. The "Add film saturation" and "Remove Video Saturation" allow for a much richer color detail. Teal-Orange THE KODAK VISION 2 LOOK We were the first on the market to create the Teal-Orange look for Canon DSLR with the Cinema Picture Style. The CCP's Teal-Orange algorithm respects the skin tones and the hair colors. ReSkin THE SKIN TONES MAKE THE DIFFERENCE Film look means gorgeous skin tones. The CCP removes pink and green color casts typical of most digital cameras. Safe Gain MORE LIGHT WITHOUT CLIPPING. High-key a' la carte without overexposing. Highly professional tool for the serious Safe Contrast SAVE THE LATITUDE! You spent money and time to achieve the best latitude possible. The Safe Contrast parameters will always preserve the highs and lows, as film does.Image courtesy of Highlights Recovery EVEN 18 STOPS COULD NOT BE ENOUGH.. Overexposed film is cute! Overexposed sensors are ugly! The Highlights Recovery will try to hide some ugly overexposed highlights, very naturally and elegantly. Image Safe White Balance LESS IS MORE. The subtractive white balance will preserve highlights and blacks from being crushed. Black Lift THE PROJECTOR'S LIGHT Projector's light passes though film, even if it's totally black. Black lift makes your footage look as you were in the theater, and helps recovering a lot of shadow detail. Celluloid THE TIME MACHINE Celluloid is there to add some age to the emulsion, Handle with care! Get it here: http://www.cineplus.ch/index.html

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            • Abril 6 - Gabriel Borja - Metanoia Renuncia

              40:42

              from Comunidad Cristiana de Puebla / Added

              65 Plays / / 0 Comments

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              • Copenhagen Cable Park season opening 2014

                01:30

                from Hjorthens / Added

                Shot with: GoPro Hero3 Black Edition DJI Phantom 1.1 Drone Editing: Final Cut Pro X

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                • Fiesta Retro Hits 2014.04.01 - Noche de vinilos - CCP Luján

                  01:46

                  from Daiana Ayelén Castillo / Added

                  3 Plays / / 0 Comments

                  Escuchá la radio en línea [ACTUALIZADO 2014]: http://j.mp/retrohitsargentina Báner: Jésica Áleman Locución y edición: Jhonny Correo electrónico: jhonnylocutor1@hotmail.com Celular: (54) 11 15 6663-6743 Nextel ID: 562*2245

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                  • Usando CCP para Configurar Cisco IOS Zone - Based Firewall

                    09:01

                    from delfirosales / Added

                    91 Plays / / 0 Comments

                    GNS3 + CCP para Configurar Cisco IOS Zone - Based Firewall

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                    • Moon.TV 1

                      00:41

                      from Jonny O'Neill / Added

                      34 Plays / / 0 Comments

                      Response to Nam June Paik's 'Moon is the Oldest TV'

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