1. Alchimia

    17:36

    from biotica / Added

    1,824 Plays / / 1 Comment

    Alchimia - live cinema performance by NoiseFold (2008). Alchimia is a live interactive cinema work that draws equally from the visual and sonic arts. This networked duet explores the use of infrared sensors, microphones and midi control instruments to animate an evolving matrix of virtual 3-D forms, which are imbued with life-like aesthetic properties. The project is a collaborative effort created by artist-performer-programmers David Stout and Cory Metcalf. Situated at the nexus between the modernist tradition of visual-music and current transdisciplinary explorations fusing media art and science, Alchimia integrates multiple digital techniques including real-time 3-D animation, mathematic visualization, recombinant non-linear data-base, artificial life simulation, image to sound transcoding, complex data feedback structures and additional algorithmic processes used to generate both sonic and visual surfaces, skins and textures. In Alchimia the 3-D forms are capable of emitting their own sounds resulting in a surprising array of sonic expressions induced by the shape, size, luminance and movement of the visual object itself. The kinetic behavior of these “synthetic organisms” includes morphogenic expansion and contraction controlled by the hand gesture of the performers or automated by a bank of 16 low frequency oscillators. Alchimia is unique, in that, the sound is not an illustration of visual properties but rather the direct and simultaneous result of manipulating the visual field. To further complicate the often unpredictable behavioral properties, the organisms or avatars are programmed to be sonically sensitive to each other and to external acoustic inputs initiated by the performers to evoke a wide range of “life-like” recursive audio, visual and kinetic phenomenon. The result is a theater of alchemical transformation and emergence existing within an intricate cybernetic system. The generative performance instrument utilized in Alchimia makes unique demands on the music-video performers, who find themselves containing or reining in chaotic behavior, as often as nudging or stimulating their independent-minded avatars to “mutate, dance and sing”. The endlessly folding objects, synthetic life forms or theoretical geometries defy easy anthropomorphic categorization. Organic images of cellular life, nerve networks, serpentine colonies, collapsing architectures, plant structures, teeth, bone and explosive phallic dystopias may come to mind. NoiseFold Bio: NoiseFold is a leading interactive sound-art and live cinema group founded by artist-performer-programmers, David Stout and Cory Metcalf. NoiseFold create films, interactive installations and perform live cinema works utilizing Artificial-Life techniques. These works can take many forms including ecological simulations, bio-mimetic animations and responsive video environments. NoiseFold performances are described as “a visual music theater on a symphonic scale, where “lifelike” avatars emerge, evolve and emit a startling array of sounds; from pure noise and chaotic rhythms to shimmering melodic textures.” NoiseFold presented their first world premiere at the Festival Internationale d’Art Video in Casablanca, Morocco in spring 2006. Their performances, which have included the UNESCO Creative Cities Summit, the New York Electronic Arts Festival, Interactive Futures in Victoria, BC and “Chinati Weekend” in Marfa, Texas have garnered entusiastic reviews and a growing audience. The pair received the New Mexico New Visions Award for innovative animation and have been recently nominated for the United States Artists fellowship. Stout is also the recipient of the Harvestworks Interactive Technology Residency and the Sun Micro Systems Award for Academic Excellence (2004) and was nominated for the both the WTN World Technology Award (2003) and the International Media Art Prize (2004). Stout & Metcalf currently live in New Mexico where they are designing Archipelago, a networked installation environment in the form of a “live” artificial ecosystem. The project, which includes collaborating scientists from both the Santa Fe Institute and Scripps Oceanographic Institute, explores the creative nexus between real-time animation, immersive environments, multi-player computer games, complexity science and ecology.

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    • NoiseFold and Trio KAZE perform Zlatý Strom (The Golden Tree)

      13:12

      from David Stout / Added

      388 Plays / / 0 Comments

      NoiseFold in collaboration with Trio KAZE present Zlatý Strom (The Golden Tree). The project is an interdisciplinary collaboration that brings together the live cinema and sound-art group, NoiseFold (USA) and acoustic instrumentalist, Trio KAZE (NL/DE), acclaimed musicians adept in medieval, renaissance, baroque and contemporary idioms. The Zlatý Strom performance seeks to illuminate a series of relational dialogues between diverse technologies, mediums and historical epochs by creating a visual-music hybrid that combines digital media, electronic music and interactive visualization technology with contemporary musical elements and instrumental techniques drawn from the 15th through 21st centuries. The music evokes a soundscape of elemental power wedded to a fluid abstract visual vocabulary emulating natural forces and bio-mimetic forms. Zlatý Strom is part of a larger work currently in progress that includes acoustic visualizations emulating fluid dynamics, virtual breathing vessels, crystallization of chaotic cellular structures, visual noise cloaking processes unlocked through performance of melodic decryption keys and other representations that evoke transformational (alchemical) metaphors. NoiseFold employ a custom audio-visual software system designed by the artists that generates or breeds a seemingly infinite array of virtual agents. These synthetic audio-visual forms result from the live mixing of a growing database of dynamic equations that are folded and recombined through a multi-threaded data feedback structure. The resulting sound is not a separate aural accompaniment but rather the direct sonification of the visual data itself. Thus the performers interact with autonomous visual forms to grow and sculpt the sonic content of the performance.

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      • Alchimia

        11:47

        from David Stout / Added

        503 Plays / / 0 Comments

        A performance document of the NoiseFold interactive audio-visual work, Alchimia in three movements. This live performance was presented at The Santa Fe Complex in Santa Fe, New Mexico.

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        • NoiseFold 2.0

          08:20

          from David Stout / Added

          472 Plays / / 0 Comments

          NoiseFold explain their recent network performance exploring artificial life based system.

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          • Wonderland - Intermedia Performance Art - Final Performance

            05:04

            from Jerrett Fowler / Added

            175 Plays / / 0 Comments

            This was my final performance in Intermedia Performance Art taught by David Stout at the UNT College of Music. My group consisted of Scott Martin MFA Dance candidate at TWU, Grant Phillips BM candidate at UNT College of Music, Peter Kusek BFA of New Media Candidate at UNT College of Visual Art and Design. In this performance we gathered video and audio source material and created an interactive environment where the user changed the parameters of the performance by using an iphone/ipod touch app called TouchOSC. The objective was to create an environment where the viewer becomes part of the performance. TouchOSC was used for user interaction. Isadora was used for visual mixing. PD (PureData) was used for aural processing. This was recorded using a Canon T2i with a 50mm 1.8 Canon Lens.

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            • Wonderland - Intermedia Performance Art - Dress Rehearsal

              04:52

              from Jerrett Fowler / Added

              63 Plays / / 0 Comments

              This was my final performance in Intermedia Performance Art taught by David Stout at the UNT College of Music. My group consisted of Scott Martin MFA Dance candidate at TWU, Grant Phillips BM candidate at UNT College of Music, Peter Kusek BFA of New Media Candidate at UNT College of Visual Art and Design. This particular video is of the dress rehearsal with my collaborators. In this performance we gathered video and audio source material and created an interactive environment where the user changed the parameters of the performance by using an iphone/ipod touch app called TouchOSC. The objective was to create an environment where the viewer becomes part of the performance. TouchOSC was used for user interaction. Isadora was used for visual mixing. PD (PureData) was used for aural processing. This was recorded using a Canon T2i with a 50mm 1.8 Canon Lens.

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              • Study No. 6

                04:37

                from Michael Scroggins / Added

                "Study No. 6" (1983, 4:36, NTSC analog video de-interlaced for Vimeo) is one of a series of absolute videographic compositions created via the multitracking of improvised real time performance with a standard broadcast video switcher. The intention was to explore the affect made possible through the architectonic structuring of the basic elements of color, shape, texture, and rhythm. David Stout was commissioned to create the musical track with a request that the music serve as accompaniment in order to assure that the visual would take the primary affective role rather than the opposite. David accomplished this task with great sensitivity, and in the end, the result was a perfectly balanced synergy.

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                • A Village Romeo and Juliet by Frederick Delius - Wexford Festival Opera 2012

                  04:19

                  from Wexford Festival Opera / Added

                  368 Plays / / 0 Comments

                  26, 29 October, 1, 4 November Booking info at www.wexfordopera.com A behind the scenes look at the upcoming production of A Village Romeo and Juliet by Frederick Delius at the 61st Wexford Festival Opera with behind the scenes footage as well as interviews with Rory McDonald (Conductor), Stephen Medcalf (Director), Jessica Muirhead (Vreli), John Bellemer (Sali) and David Stout (The Dark Fiddler). Written between 1899 and 1901, A Village Romeo and Juliet was the fourth of Delius’s six operas and is generally regarded as his finest. Sali and Vreli, his Romeo and Juliet, have the misfortune to live in a small village community in Switzerland, the children of farmers who are at loggerheads over the ownership of a worthless piece of land that by rights should belong to a man known as the Dark Fiddler. Forbidden by their feuding fathers to marry each other, Sali and Vreli are forced to run away together. The Dark Fiddler tries to persuade them to join him and his friends and live together freely. They reject this lifestyle but their guilt at betraying their families leads them to choose a brief, glorious, moment of love, which culminates in their exultant acceptance of death. Delius’s passionate engagement with the story inspired him to compose rapturous, rhapsodic music that depicts the defencelessness and innocence of the lovers, their youthful idealism and the intense expression of their love. The opera includes the celebrated orchestral interlude, The Walk to the Paradise Garden.

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                  • HSJ talks to commissioners about the journey towards being world class

                    03:57

                    from HSJ clips / Added

                    605 Plays / / 1 Comment

                    HSJ visited the NHS Confederation's PCT Network conference and found out how commissioners were feeling about the journey towards being world class.

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                    • Study No. 7

                      02:42

                      from Michael Scroggins / Added

                      "Study No. 7" (1983, 2:42, NTSC analog video de-interlaced for Vimeo) is one of a series of absolute videographic compositions created via the multitracking of improvised real time performance with a standard broadcast video switcher. The intention was to explore the affect made possible through the architectonic structuring of the basic elements of color, shape, texture, and rhythm. David Stout was commissioned to create the musical track with a request that the music serve as accompaniment in order to assure that the visual would take the primary affective role rather than the opposite. David accomplished this task with great sensitivity, and in the end, the result was a perfectly balanced synergy.

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