1. "Picture Perfect" (最佳摄影)- island6 Arts Center


    from Liu Dao / Added

    3 Plays / / 0 Comments

    I am tired. In the ideal world, people would not strive to reach the ideal outcome - instead they would settle for self-contempt and mediocre satisfaction, verging on “Fair Enough”. Imagine the rich man who does not want more money or the poor man who does not want what they don't have. Criminals would do nothing to achieve perfection in matters of crime. However we do not live in such a reality and I (as many other people, sane and insane) am lost to the pressures of my own ambitions and dreams. As my profession requires I aim for the best, which in my case would be a Pulitzer Prize. I do not know which one is required more. The luck - being at the right time and place, with camera permanently fixed to your hand - or just the skill. Perhaps both of them. But f*** the ideal world and f*** the prizes. If I had to award myself for anything it would be the patience of being an artist and my favourite picture. (see above) ARTIST: Liu Dao 六岛 MEDIA: RGB LED display, Giclée print face-mounted on plexiglass, stainless steel frame EDITION: Unique DATE: Made in island6, Shanghai 2014 SIZE: 200(W)×80(H)×8(D) cm | 79(W)×31.5(H)×3.5(D) inches CREDITS: Zhang Tian Yi 张天伦(performance) • Thomas Charvériat (art direction & technical guidance) • Anto Lau (art direction & animation) • Jean Le Guyader (documentation) • Guan Yan 官彦 (production supervisor) • Yeung Sin Ching 杨倩菁 (production supervisor) • Weronika Nossowicz (author) For more information: http://island6.org/PicturePerfect.html

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    • Pinar Yoldas -- An Ecosystem of Excess


      from aksioma / Added

      479 Plays / / 0 Comments

      An Ecosystem of Excess -- Presentation by Pinar Yoldas at Aksioma | Project Space Ljubljana, Slovenia WED 12 February 2014 www.aksioma.org/ecosystem.of.excess

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      • PING-SHENG WU : The Resonance of Fragile, 2014


        from samwu / Added

        261 Plays / / 0 Comments

        Ping-Sheng Wu: The Resonance of Fragile _ Acrylic Structure, Paper, Iron Structure, Speaker, Copper Pillars, Electronic Amplifier Module _ Human civilization and history had been recorded on sides of paper since two thousand years ago. The invention of paper was a great leap in the technology that kept human memories alive. Today, new media have created a contemporary knowledge structure and expanded it to the margin of the universe. However, the excessive expansion eventually results in the neglect of remarkable pieces of information that we fail to digest in a timely manner. Nowadays, our retinae are obsessed with various forms of screens in which messages become the little things we enjoy in our daily life. The rapid flow of information serves as a stimulant to our superficial thinking. We will not cognize the emptiness and shallowness of our thinking until the effects of the stimulant wear off. When we keep gazing at the pieces of paper, a sense of alienation caused by losing focus gradually replaces the elegance and historicity of paper as a carrier of human civilization. I attempt to transform the media into a kind of materiality and challenge the dominance of vision by appropriating physical vibration. I blend the memories of real-life experiences into the work through the sound field created by the installation. I expect this work, combined with the delicate and translucent texture of paper, to have an alternative resonance for the viewers. _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 吳秉聖:脆弱的透鳴 _ 壓克力結構,紙,鐵質結構,喇叭單體,銅柱,晶體放大電路 Acrylic structure, paper, Iron structure, speaker, copper pillars, electronic amplifier module _ 在將近兩千年前,紙張開始承載人類的文明與歷史,那是科技在歷史上的躍進,使記憶的脈開始傳遞。而後新媒體也各從其類地吸收著當代的知識結構,超展開至宇宙的邊際,最後人們卻將這些來不及被時間消化的訊息霧化在雲端。 如今,人的視網膜早已習慣且不斷地被各式的螢幕眷養著,這些規格化方框裡的訊息成為生活中小確幸的亮點,資訊快速竄流是思考最表層的興奮劑,藥效盡失之時才會意識到本身寬廣卻淺薄的事實。 我開始發現我的眼球很難停留在紙上,當一次又一次地將視線游移時,感受不到它作為載具時所帶來的優雅與緩慢,取而代之的是一種因為無法聚焦所造成的疏離感。如何從時間的皺摺中找著數位界面與紙本載具相應的點變成作品討論的主軸。 _ 10.4 | 2014

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        • Pisara Avaruudessa / waterdrop in space 2013 Sebastian Ziegler


          from videokaffe / Added

          7 Plays / / 0 Comments

          Pisara Avarudessa / waterdrop in Space 2013 50 cm x 65 cm / mixed media Titanik Galleria / Sebastian Ziegler

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          • . pℜ❍❍✔€₦ . L∇∏Ď$$$ .


            from Kevin Carey / Added

            200 Plays / / 2 Comments

            music by johnny greenwood

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            • Planet Tree


              from Wit Pimkanchanapong / Added

              1,673 Plays / / 3 Comments

              แพลนเน็ตทรี (Planet Tree), Robocrop (ชื่อในระหว่างการพัฒนา) Planet Tree, Robocrop (working title) เป็นผลงาน Kinetic Sculpture ชิ้นที่ 3 ของวิชญ์ พิมพ์กาญจนพงศ์ ที่พัฒนาต่อเนื่องมาจาก ไมยราบ (http://www.vimeo.com/4641333) และ Not Quite a Total Eclipse (จะuploadเร็วๆนี้) สำหรับผลงานชิ้นนี้มุ่งเน้นไปที่การนำผลงานมาประยุกต์ใช้งานแบบถาวรร่วมกับสถาปัตยกรรมภายใน แทนที่จะเป็นการจัดแสดงในช่วงเวลาจำกัดสำหรับนิทรรศการศิลปะ อย่างไรก็ตามนอกเหนือจากการพัฒนาทางเทคนิคและวิศกรรมแล้ว ก็ได้มีการค้นหาและพัฒนาเพิ่มเติมในส่วนของความงาม ในส่วนทีชัดเจนที่สุดก็คือการปรับการเรียงตัวของจุดเคลื่อนไหว จากเดิมเป็นการเรียงตัวไปในทิศทางเดียวกัน ปรับเปลี่ยนเป็นแบบไขว้สลับกัน เมื่อผสมผสานกับรูปทรงของใบที่ออกแบบให้สอดประสานกันแล้ว ทำให้การรับรู้รูปทรงเมื่อเกิดการเคลื่อนไหวมีความหลากหลายขึ้น คาดเดาได้ยากขึ้นในแต่ละมุมมอง และสร้างรูปแบบการเคลื่อนไหวได้หลากหลายขึ้น อย่างไรก็ตามรูปแบบการเคลื่อนไหวในvideo ที่แสดงให้เห็นนี้ ยังอยู่ในระหว่างการพัฒนาและสำรวจ ซึ่งจะนำเสนอรายละเอียดในvideoชิ้นต่อไป Planet Tree is the third kinetic sculpture by Wit Pimkanchanapong. It has been developed from his installation art works, "My-Ya-Rab" (vimeo.com/4641333) and "Not Quite a Total Eclipse" (will soon be upload). "Planet Tree" focuses on applying the kinetic sculpture for a more permanent feature by incoporating it with interior architecture, instead of showing it within limited timeframe of art exhibitions. However, this work is not only a result of the artist's development in terms of techniques and engineering, it also reflects a refined vision in terms of aestetics. It can be seen from the arrangement of the fins. From the previous works, the fins were arranged in the same direction, but in this works the fins are arranged in hatched alignment. As the fins' shapes have been designed to fit the alignment, when they move, the work gives diverse outcomes overtime. It is not static and predictable by looking at it from different points of views. Note: the movement displayed in this video is still under an ongoing development process. The next exploration will be shown in the next video clips.

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              • Plant #31 - 43 Salon(Inter)Nacional de Artistas, Medellin 2013


                from Adriana Salazar / Added

                107 Plays / / 0 Comments

                Site-specific installation for the 43 Salon(Inter)Nacional de Artistas Antioquia Museum Medellin, Colombia 2013

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                • Platonic-zc


                  from Matthew West / Added

                  125 Plays / / 0 Comments

                  Digital Animation, 2009 www.westieinc.com

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                  • Platz für Neues – Interactive Video Installation


                    from Michel Winterberg / Added

                    54 Plays / / 0 Comments

                    Platz für Neues (Space for Something New) is directed not against the mythological figure of the dwarf, but symbolically creates space for something new and adjusted deadlocked conformity. By movement of the observer on the left or right side of the interactive video projection allows the reproduction of the garden gnome either wash away with water or burn it with fire down. If the viewer stands still, the garden gnome by itself builds back up again. Consistent with the opening of the International Design Fair Blickfang on 23 March 2012, there was at the same time the vernissage in the Carambolage of the interactive video installation.

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                    • Play and Learn 2.0: Half Monk Half Soldier (2008)


                      from rodolfo peraza / Added

                      21 Plays / / 0 Comments


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