1. Domenique's Quinceanera - 15th Birthday Celebration

    03:52

    from SoProductions / Added

    234 Plays / / 0 Comments

    Only the second Quinceanera I've ever done in all my years of shooting. This was a joy to shoot and edit. Enjoy and Happy New Year to all. Tech Specs: Shot solo with a Panasonic GH3 Lenses: Panasonic 12-35mm f2.8 Nikon 50mm f1.2 on a Metabones Speedbooster Sigma 18-35mm f1.8

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    • EVER - Full Feature Film

      01:37:42

      from Josh Beck / Added

      5,660 Plays / / 43 Comments

      EVER world-premiered at the Newport Beach Film Festival in 2014 and won for Best Narrative Feature Film at the Chicago LGBT International Film Festival. If you want to support the filmmakers (and artists who lent us their music) you can donate via PayPal to -- everthemovie@gmail.com -- Thank you! Written/Directed by Josh Beck Cinematography by Micah Van Hove Wendy McColm, Christina Elizabeth Smith

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      • Metabone Speed Booster NIkon to Micro 4/3 (BMPCC) With/Without Comparison Video - Magnanimous Media

        01:16

        from Magnanimous Media / Added

        582 Plays / / 1 Comment

        In this video we demonstrate the Metabone Speed Booster NIkon to Micro 4/3 (BMPCC) adapter by comparing images with and without the speed booster. The first image utilizes a standard NIkon to Micro 4/3 (BMPCC) adapter (Dummy Adapter) and the second image was captured using the Metabone Speed Booster, the camera's position and settings are left the same between each shot, the only change is which adapter is used. (Download for the best results) magnanimous.biz/#/tab/lenses/lens-adapters-mounts/ Magnanimous Media offers video production equipment for rental; the Canon C500 and Sony F55 to Wireless Lavs and Light Kits we have all the essentials at a great price.

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        • Celebrating 55 years of Danamon Bank

          01:31

          from Gunnar Nimpuno / Added

          7 Plays / / 0 Comments

          This is another fun shoot back then, using only a couple of 5D-7D and old Nikon lenses. No fancy lighting and grip, just try to capture any light sources available. Directed and shot (2nd cam) by James Ashburn.

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          • Afternoon Drive

            00:29

            from Pinot / Added

            180 Plays / / 0 Comments

            Testing Metabones Speed Booster converter (Canon EF to BMPCC) with Nikon AIs 50mm ƒ1.2 lens. Love the details.

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            • Good morning, Marina!

              01:18

              from Pinot / Added

              184 Plays / / 4 Comments

              Capturing family moments with Blackmagic Pocket camera. Lens: Nikon AIs 50mm ƒ1.2 with Metabones Speed Booster. Correction: FilmConvert with Polaroid 600 stock.

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              • Downtown Dallas Whatever

                01:07

                from Lopez / Added

                108 Plays / / 0 Comments

                Messing around downtown Dallas to "test" my Telex 16-D anamorphic lens. By "test" I mean that I had very little idea as to what the hell I was doing. Really random! Might take a minute to get used to the whole double focusing thing. No color grading. I just wanted to see what came from the camera, anamorphic lens, taking lens combo and get used to the whole workflow, de-squeezing, cropping, exporting etc. Thoughts: I'm gonna need some diopters. A worthwhile experiment overall. Stats: Telex 16-D 2x Anamorphic Lens Nikon 50 F1.8 Panasonic GH2

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                • Good Morning, Playground

                  01:28

                  from Pinot / Added

                  34 Plays / / 0 Comments

                  Camera: Blackmagic Pocket Cinema Camera + Nikon AIs 50mm ƒ1.2 lens.

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                  • British Bank Holiday

                    02:14

                    from Gary Rogers / Added

                    17 Plays / / 0 Comments

                    Shot on the RED One MX using the Nikon 80-200 f2.8 lens and shot at 4k

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                    • Osteria Zà Zà Firenze

                      00:51

                      from Effetto Espanso / Added

                      60 Plays / / 0 Comments

                      riprese e montaggio/shot and edited by: Alessandro De Nicola

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