1. Afro Cuban Band - Something´s Got To Give (Space Echo Edit)


    from Luv Shack Records / Added

    23 Plays / / 0 Comments

    FREE DOWNLOAD HERE: https://soundcloud.com/spaceecho/afro-cuban-band-somethings-got-to-give-space-echo-edit Pre-Order Space Echo's new EP 'Journey' here: ▸▸▸ iTunes: bit.ly/1IXwVe4 Artist: Space Echo Release Title: Journey Label: Light My Fire Catalogue No.: LMF032 Release: 23.01.2015 The Viennese producers Space Echo have been responsible for one of the biggest and brightest disco house tunes of the past years, 'Soul Power', released 2013 on Luv Shack. With 'Journey' we now welcome them on Light my Fire to kick the new year off in ample style. While 'Phobus Grunt' is a deep, cosmic affair, 'Buzz Lightyeah' nods to italo disco with amazing swing and bright melodic touches. 'Journey', on the other hand, centers around funky guitar licks and muted female vocal touches. Ken Hayakawa then gives 'Phobus Grunt' a UK funky twist, while Teenage Mutants delivers an earth shattering deep house rendition of 'Journey’. Happy New Year! ▸▸▸ Homepage: www.lightmyfiremusic.com ▸▸▸ Facebook: facebook.de/lightmyfirerecords ▸▸▸ Soundcloud: @light-my-fire ▸▸▸ Youtube: youtube.com/LightmyFireRecords

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    • SPACE ECHO live @ Frequency Festival 2014 - Nightpark


      from Luv Shack Records / Added

      248 Plays / / 0 Comments

      for requests please contact: spaceechomusic@gmail.com https://soundcloud.com/spaceecho https://www.facebook.com/SpaceEchoMusic http://luvshackrecords.com

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      • Roland RE-201 Space Echo Vibe


        from Rafael Pirela S / Added

        25 Plays / / 0 Comments

        Inspiring tone out of an old Roland RE-201 / Tono inspirador que sale de este viejo Roland RE-201. By Rafael Pir

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        • Space Echo - Come Back Home


          from Luv Shack Records / Added

          282 Plays / / 0 Comments

          VINYL: Juno Records http://www.juno.co.uk/products/space-echo-rotciv-luv013/536302-01 deejay.de http://www.deejay.de/Space_Echo_Rotciv-Luv013__149695 Red Eye Records http://www.redeyerecords.co.uk/vinyl/53000-luv-13-space-echo-roctiv Decks Records: http://www.decks.de/t/rotciv-space_echo-come_back_home/c3j-6a DIGITAL: Juno Download http://www.junodownload.com/products/space-echo-come-back-home/2479937-02 iTunes https://itunes.apple.com/us/album/come-back-home-ep/id880688488 Beatport http://www.beatport.com/release/come-back-home/1325985 After the very successful foray into split EPs, Luv Shack Records continues to explore this concept with LUV013. The EP sees upcoming duo Space Echo make a return after their smash hit "Soul Power", while the B-side is conducted by Wahlberliner ROTCIV. "Come Back Home", the opening track by Space Echo, is a slowly building but effortlessly captivating piece of hypnotic house music with a raw funk attitude. The gently evolving synth line and the strong vocal hook are the spine of this anthemic track. The seemingly laid back "Hangover" just oozes b-movie sleaze and might be Space Echos little hommage to 60's lounge music, with an array of distorted guitars and soft pads coming to good use. That is until the synth theme kicks in mid-track and turns the piece into a late night weapon. http://www.luvshackrecords.com/space-echo

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          • GRETSCH SSLVO gets TVJONES BRIAN SETZER PKUPS, before & After through Blondeshell amp


            from The Nocturne Brain / Added

            394 Plays / / 0 Comments

            thenocturnebrain.com asked Codinaleather.com to demo the new tvjones.com briansetzer.com signature guitar pickups in his gretschguitars.com SSLVO.. here is a before and after video of that installation

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            • Loop Unlimited engl.


              from Studio of Libertarian Interest / Added

              64 Plays / / 0 Comments

              Idea and production Stefan Roemer and Franz Wanner Four-channel video projection 2011 (here: one-channel stream) In this four-channel video projection four loops each refer to a contextual relation between machine or tool and artistical effect. The machines depicted produce the sound track of the clips. Reflexive sentences referring to the topic of loop permeate the videos. Each of the four Latin titles indicates an activity of cultural production: 1. Audio – „I hear“ In „Audio“ those echo machines used for the video sound are filmed fetishistically that experience a retro-topicality in current pop music. 2. Video – „I see“ In „Video“ a converted film projector that enjoys great popularity in the art scene is staged as film-loop machine. 3. Laboro – „I work“ or „I try to“ The loop „Loboro“ illustrates monotonous sweeping movements. Bristles play the leading part in the ambiguity of cleaning and painting. 4. Facio – „I make“ In „Facio“ a female voice, in allusion to Orson Welles' movie „F for Fake“ challenges the audience to be accomplices in the value creation and the destruction of pictures. The strategy of fake itself brings this cycle as discursive form of forgery to a new beginning. In this four-channel video projection four loops each refer to a contextual relation between machine or tool and artistical effect. The machines depicted produce the sound track of the clips. Reflexive sentences referring to the topic of loop permeate the videos. How contemporarily so broadly discussed does topic of the cultural repetition in video tie-clips leave itself to examine, which can be specified even as loops? We work on a cycle of four video tie-clips, which focus different aspects of the topic. The respective titles outline an activity, which are characteristic for contents of the tie-clip with a verb on Latin: audio - I hear, video - I sees, laboro - I work or I strive as well as facio - I make. The first tie-clip” audio “combines acoustic Echo-Maschinen on the visual level with text boards to the topic; the second tie-clip shows film loop machines, which attained a strong economic situation in the contemporary art, while the third tie-clip is occupied with work in a not eurozentristischen perspective, and the fourth tie-clip itself with the repetition, which repetition in the art employs, as it marks the fake approximately as special case as ironical form of the falsification. The clips aim at a Narration of the pictures, which are overlaid by diskursive texts over the topic loop. The respective soundtrack with a Synthesizer Korg MS-50 one produced. It stands for a favorable variant of a professional Syntesizers of the middle 1970's. The sounds were produced by an oscillator - thus really synthetic - not by keys.

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              • Loop Unlimited dt.


                from Studio of Libertarian Interest / Added

                18 Plays / / 0 Comments

                Idee und Realisation: Stefan Römer und Franz Wanner Vierkanal-Video, Gesamtlänge 7 min., Bildformat 4:3, Deutschland 2011 Die Arbeit besteht aus einem Zyklus von vier Videoclips, die in einer räumlichen Installation aufgeführt werden. Die Bilder werden überlagert von diskursiven Texten zum Thema Loop. Die in einer fetischistischen Ästhetik gefilmten Maschinen erzeugen zum Teil die Soundspur der Clips. Es entwickelt sich ein Diskurs über das künstlerisch-existenzielle Verwickeltsein in Loopschleifen. Die Titel der vier Episoden bezeichnen jeweils ein Dispositiv kultureller Produktion: audio – ich höre (1 min., 39 sec.); Die in „audio“ gezeigten und für den Klang genutzten Echo-Maschinen finden gegenwärtig in einem breiten Spektrum der Popmusik eine Renaissance; video – ich sehe (1 min., 46 sec.); In „video“ markiert die Filmloopmaschine eine fetischistische Verwendung umgebauter Filmprojektoren als beliebtes Kunstobjekt in der gegenwärtigen Kunstszene; 3. laboro – ich arbeite oder ich bemühe mich (1 min., 25 sec.); „laboro“ umkreist die Bedingungen von Arbeit um eine nicht-eurozentristische Achse. In den kulturkonstituierenden Hauptrollen sind Borsten in der Doppeldeutigkeit des Malens und Reinigens als Wiederholungsgeste und Dienstleistung zu sehen; 4. facio – ich mache (1 min.); „facio“ diskutiert die kulturell „kollaborative“ und repetitive Praxis der Erzeugung und Zerstörung von künstlerischen Bildern und ihres Wertes. Die Strategie des Fake führt den Loop als diskursive Form der Fälschung zu einem neuen Anfang. Der Sound der vier Loops ist so komponiert, dass sich bei paralleler Abspielung in einem Raum – durch die unterschiedlichen Clip-Längen zeitlich verschoben – eine immer andersartige akustische Überlagerung ergibt. Der Loop-Sound wird signifikanterweise von historischen Hall- und Synthesizer-Geräten erzeugt. Ihre Herstellung stammt aus den späten 1960er und 1970er Jahren, als die fordistische Produktionsweise des Kapitalismus in die toyotistische Phase überging. Insofern stehen sie historisch für einen avantgardistischen Sound, der aber aktuell in der Popmusik als Samples breite Verwendung findet. Der jeweilige Soundtrack wurde mit dem Hallgerät Space Echo RE-201, dem WEM-Copycat und den Synthesizern Korg MS-10 und -50 erzeugt. Sie waren eine günstige Synthesizer-Variante der 1970er Jahre. Die Töne für das Video wurden mit diesem Oszillator – also wirklich synthetisch – nicht durch Tonsamples erzeugt (um die tiefen Bässe zu hören, ist ein avanciertes Soundsystem notwendig).

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                • Pre War SpaceEcho


                  from Pre War / Added

                  44 Plays / / 0 Comments

                  Sometimes one amigo has to help another amigo manipulate the space echo. Muy simpatico here.

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                  • Space Echo playing Soul Power at Wilde Renate


                    from Luv Shack Records / Added

                    31 Plays / / 0 Comments

                    Space Echo is playing Soul Power while Simonlebon is getting more booze. Space Echo - Soul Power: http://www.youtube.com/watch?v=FsJwPp... Space Echo on Facebook: https://www.facebook.com/SpaceEchoMusic Space Echo on Soundcloud: https://soundcloud.com/spaceecho

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                    • Macedonio - Monserrat


                      from Macedonio Banda / Added

                      86 Plays / / 0 Comments

                      Primer Entrega de las Sesiones de Macedonio. En vivo desde San Telmo. Producido por Licenciado Vastarx y Mallorca Estudio Grabado en Junio 2013 Ladislao Serrano: Voz Federico Piñeiro: Bajo Ariel Passadore: Moog David Irurzun: Bateria Sebastian Rodriquez Morell: Teclados y Space Echo Geilo Sosa: Camara SVHS Mezcla: Sebastian Rodriguez Morell Contacto: facebook.com/macedonioo facebook.com/mallorcaestudio facebook.com/LicVastarx

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