1. Odyssey 7Q vs. Sony FS-700 Comparison

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    Check out more of our work at www.vantagepointvisual.com In this video, Joshua Pardon compares interview & B-Roll footage shot simultaneously to both the Sony FS-700 and the Convergent Design Odyssey 7Q. The FS-700 footage is AVCHD and the Odyssey 7Q footage is ProRes 422 (HQ) - both are 1920 x 1080 HD. Footage used for this comparison was filmed in Michigan for the "State Hospital Project" Documentary Film.

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    • Sony FS-700 Cinegamma Comparison

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      Check out more of our work at www.vantagepointvisual.com In this video, Joshua Pardon compares test footage shot with the "Cine 1" and "Cine 4" Gamma settings on the Sony FS-700 camera. Test footage was filmed during an interview shoot at Trattoria Stella in Traverse City, Michigan for the "State Hospital Project" Documentary Film. This is *not* a technical comparison - this is an aesthetic comparison. For a great technical explanation of Cinegammas on the FS-700, please check out Art Adams' Sony FS-700 Dynamic Presentation at Pro Video Coalition: http://provideocoalition.com/aadams/story/cameras_sony_fs700_dynamic_range_presentation This article from XDCAM-User.com on Understanding Gamma, Cinegamma, Hypergamma and S-Log addresses Cinegammas in a broader context: http://www.xdcam-user.com/2011/01/understanding-gamma-cinegamma-hypergamma-and-s-log/ Noah Yuan-Vogel has his own nLOG setting for the FS-700. This is some higher-level stuff, so make sure to do some test shooting first before using these settings in the field: http://noahyv.com/v2/fs700-picture-profile-guide/ Please feel free to leave a comment!

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      • Sony FS-700 Lens Comparison - Sony Zeiss 24-70mm f/2.8 vs. Canon 24-70mm II USM f/2.8

        10:16

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        Check out more of our work at http://www.vantagepointvisual.com In this video, Joshua Pardon compares the Sony Zeiss 24-70mm f/2.8 lens against the Canon 24-70mm II USM f/2.8 lens on the Sony FS-700 camera. Lens comparison test footage was filmed during an interview shoot at the Kalamazoo Public Library in Kalamazoo, Michigan for the "State Hospital Project" Documentary Film. The Sony Zeiss 24-70mm f/2.8 lens was used with the Sony LA-EA2 lens adapter. The Canon 24-70mm II USM lens was used with the Metabones Smart Adapter II. This is *not* a technical lens comparison - no chip charts here! This is an aesthetic lens comparison. The following features were evaluated: • Sharpness • Fringing, Artifacts, & Aberrations • Color and Highlight Rendering • Depth of Field Falloff Please feel free to leave a comment!

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        • State Hospital Project - Behind The Scenes Lighting Setup #2

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          Check out more of our work at http://www.vantagepointvisual.com A "behind the scenes" video for a documentary film about the history of Michigan's State Mental Hospitals. Producer/Director Joshua Pardon details the lighting setup for on-camera interviews at the historic Blanchard House in Ionia, Michigan.

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          • Asylum - State Hospital Project Documentary Montage

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            Check out more of our work at http://www.vantagepointvisual.com A montage of shots from the upcoming State Hospital Project documentary film. Music by Max Richter.

 Feel free to send us an email at video@vantagepointvisual.com to start a conversation about how Vantage Point Visual can partner creatively with you to tell your story.

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            • State Hospital Project - Behind the Scenes Lighting Setup #1

              02:15

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              Check out more of our work at http://www.vantagepointvisual.com A "behind the scenes" video for a documentary film about the history of Michigan's State Mental Hospitals. Producer/Director Joshua Pardon details the lighting setup for on-camera interviews at the historic Blanchard House in Ionia, Michigan.

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              • A Love Letter to Tom Waits (Documentary Editing Example)

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                Check out more of our work at www.vantagepointvisual.com Winner of a 2012 Telly Award! An extended excerpt from a feature-length documentary film about the world-renowned fiber-artist Chris Roberts-Antieau. We think this is a fine example of our documentary editing style. Feel free to send us an email at video@vantagepointvisual.com to start a conversation about how Vantage Point Visual can partner creatively with you to tell your story.

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                • A Love Letter to Tom Waits (Opening Sequence)

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                  Check out more of our work at www.vantagepointvisual.com Winner of a 2012 Telly Award! The opening sequence of a feature-length documentary film about the world-renowned fiber-artist Chris Roberts-Antieau. Feel free to send us an email at video@vantagepointvisual.com to start a conversation about how Vantage Point Visual can partner creatively with you to tell your story.

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                  • Believe In Me (Selected Interviews)

                    05:15

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                    Editoral and Post-Production services provided by Vantage Point Visual. Check out more of our work at vantagepointvisual.com. Check out more of our work at www.vantagepointvisual.com Selected interviews from an educational video that promotes awareness and confronts stigma faced by those with mental illness. Produced by Wilkinson Visual with funding from the State of Michigan. Feel free to send us an email at video@vantagepointvisual.com to start a conversation about how Vantage Point Visual can partner creatively with you to tell your story.

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                    • Believe In Me (Closing Sequence)

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                      Editoral and Post-Production services provided by Vantage Point Visual. Check out more of our work at www.vantagepointvisual.com The closing "dream sequence" from an educational video that promotes awareness and confronts stigma faced by those with mental illness. Produced by Wilkinson Visual with funding from the State of Michigan. Feel free to send us an email at video@vantagepointvisual.com to start a conversation about how Vantage Point Visual can partner creatively with you to tell your story.

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