1. RAW 4 PRO: actual users - Arsen Mikitov, en Español

    04:00

    from RAW 4 PRO / Added

    http://Raw4pro.com (English version here: https://vimeo.com/118322875) Muchos usuarios aqui en Estados Unidos y en todo el mundo estan disfrutando de la facilidad que RAW 4 Pro les ofrece para procesar imagenes RAW. Vamos a hablar con algunos de ellos. El invitado de hoy: Mr. Mikitov, a cinematographer based in Ibiza (Spain) talks about his production company's use of RAW, specifically FS700+Odyssey7Q combo and ARRI+Codex recorder; and he also provides his unbiased opinion of RAW 4 PRO. - raw-to-video offloader and converter with timecode and audio - organizes and prepares your RAW footage for easy playback, cataloging, sharing, and real-time editing. Supports Blackmagic cameras 4K, 2.5K, Pocket BMPCC, as well as Digital Bolex, Ikonoskop, etc - and recorders like Odyssey 7Q (particularly paired with Sony FS700 as RAW source) and others. CinemaDNG, compressed or uncompressed, is supported from virtually any source. - video output in H264, DNxHD (just like ProRes), and Cineform RAW - with audio and time code - makes your RAW workflow, and life, easier Details and download here: http://Raw4pro.com in Spanish - big thanks to Raul Barcelona for his help with translation and VO

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    • RAW 4 PRO: actual users speak - Arsen Mikitov

      04:04

      from RAW 4 PRO / Added

      http://Raw4pro.com (en Español: https://vimeo.com/118380534) Mr. Mikitov, a cinematographer based in Ibiza (Spain) talks about his production company's use of RAW, specifically FS700+Odyssey7Q combo and ARRI+Codex recorder; and he also provides his unbiased opinion of RAW 4 PRO. http://Raw4pro.com - raw-to-video offloader and converter with timecode and audio - organizes and prepares your RAW footage for easy playback, cataloging, sharing, and real-time editing. Supports Blackmagic cameras 4K, 2.5K, Pocket BMPCC, as well as Digital Bolex, Ikonoskop, etc - and recorders like Odyssey 7Q (particularly paired with Sony FS700 as RAW source) and others. CinemaDNG, compressed or uncompressed, is supported from virtually any source. - video output in H264, DNxHD (just like ProRes), and Cineform RAW - with audio and time code - makes your RAW workflow, and life, easier Details and download here: http://Raw4pro.com

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      • Digital Bolex D-16 Fast test

        00:28

        from Genre Works / Added

        105 Plays / / 0 Comments

        First test of Digital Bolex D16. Natural light. BMDFilm color space. Lenses old Arri mount Cooke 50mm T2.

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        • RAW 4 PRO in 2 minutes: INTERFACE

          02:11

          from RAW 4 PRO / Added

          http://Raw4pro.com - raw-to-video offloader and converter with timecode and audio - organizes and prepares your RAW footage for easy playback, cataloging, sharing, and real-time editing. Supports Blackmagic cameras 4K, 2.5K, Pocket BMPCC, as well as Digital Bolex, Ikonoskop, etc - and recorders like Odyssey 7Q (particularly paired with Sony FS700 as RAW source) and others. CinemaDNG, compressed or uncompressed, is supported from virtually any source. - video output in H264, DNxHD (just like ProRes), and Cineform RAW - with audio and time code - makes your RAW workflow, and life, easier Details and download here: http://Raw4pro.com

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          • Big Bear on the D16 Digital Bolex

            01:30

            from James Kicklighter / Added

            59 Plays / / 0 Comments

            Music: Prelude No. 11 by Chris Zabriskie (http://chriszabriskie.com) Big Bear Lake, CA in Fall 2014 shot on the Digital Bolex. Shot on Kowa Primes 16mm – f1.4 25mm – f1.4 50mm – f1.4 75mm – f1.8 Color Graded in Magic Bullet Looks

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            • Digital Bolex D16 low-light test grade

              02:03

              from Lensfire / Added

              45 Plays / / 0 Comments

              Test grade of some D16 low-light footage. No audio. Footage provided by "Stonelionsperch" on Digital Bolex forum. Davinci Resolve 11 Lite, BMD Film Colorspace, Alexa LUT 3 BMD Gamma + minor grading. Forum thread: http://www.digitalbolex.com/forum/shooting-on-the-d16/looking-for-some-test-frames/#p13941 Infos grading D16 footage in Davinci: http://www.digitalbolex.com/help-desk/color-export-dailies-davinci-resolve/

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              • Vulcanalia Party Dance Shot 37

                01:07

                from David Rasberry / Added

                81 Plays / / 0 Comments

                Bolex D16 night shot grading test 12.5mm f/1.4 Cosmicar lens hand held at f/1.4 400 ISO 240 degree shutter 24fps Pushed to 1600 ISO and graded in Resolve P3D60 color space linear gamma pre-grade input setting Modest amount of Neat Video noise reduction applied.

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                • COURTESAN - Teaser Trailer - Official Selection: 2015 Slamdance Film Festival - Digital Bolex Fearless Filmmaking Showcase

                  00:12

                  from Through A Glass Productions / Added

                  20K Plays / / 0 Comments

                  Teaser trailer for COURTESAN A short film, directed by Misti Boland & Jeremy Osbern Description: Two strangers meet on Christmas night... World Premiere: 2015 Slamdance Film Festival Monday, January 26, 2015 @ 6:30 pm Digital Bolex Fearless Filmmaking Showcase Treasure Mountain Inn 255 Main Street, Park City, UT 84060 Contact: courtesanfilm@gmail.com http://www.jeremyosbern.com http://www.throughaglass.com

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                  • 2015 NFC championship Seahawks PreGame insanity Digital bolex anamorphic

                    00:20

                    from john c hieber / Added

                    265 Plays / / 0 Comments

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                    • Cinematography Podcast

                      01:26:30

                      from Jendra Jarnagin / Added

                      30 Plays / / 0 Comments

                      Hot Rod Cameras in Hollywood interviewed Jendra Jarnagin about a variety of topics including the indie film scene in NY in the 1990s, the trajectory of her career from gaffer to digital cinema pioneer, and the trap of falling down the technology rabbit hole. She also discusses her growth as an artist as well as her process for designing the look of a film, preproduction and aligning with the director's vision. This excerpt just includes Jendra's segment. The entire episode can be heard here: http://cinematographypodcast.com/?p=6514

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