1. Lumix GH1 Canon FD 50mm F1.8 - Low light tests

    01:14

    from 1k0 / Added

    4,624 Plays / / 6 Comments

    GH1 PAL - 1280/720 50p - Shutter speed 1/50 to 1/30 - iso 100 to 320. Edited in Sony Vegas Pro 8.0c Sightly colour corrected in After effects 6.5 The original is less noisy than the compressed version, but still have macro bloc due to the weak bit-rate encoding.

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    • Seattle Riot 2014 Low Lights Reel

      14:19

      from FulcrumPro / Added

      3,086 Plays / / 1 Comment

      Luke handles the highlights, Kelly creates the low lights reel... enjoy! We are really awesome!

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      • SONY Alpha a7S "IS IT TRUE?"

        03:23

        from Sergio Duarte / Added

        2,173 Plays / / 17 Comments

        Sony A7s PT: Tal como prometido, aqui partilho o pequeno clip que resultou dos testes que fiz com a Sony A7s. As imagens foram captadas durante um final de tarde e noite, sem qualquer tipo de preparação prévia e portanto não contêm mensagem ou sentido predefinidos. As condições climatéricas, apesar de adversas, ajudaram em alguns parâmetros que queria testar. Contudo, obviamente que num dia de céu limpo, ou mesmo com algumas nuvens, teria outro tipo de luz para executar diversos e importantes testes. Já todos estamos fartos de ler artigos e ver testes online, este é apenas mais um e vale o que vale. Contudo, testar com as minhas mãos e ver com os meus próprios olhos é sempre diferente. Por isso esta é a minha conclusão pessoal. Não é mentira o que se diz do seu comportamento em baixas luzes. Em boa verdade podemos levar o ISO a valores que em situações normais com uma DSLR poríamos o trabalho em sérios riscos com o aparecimento do tão indesejado ruído. Neste teste utilizei valores de ISO que oscilaram entre os 200 e os 10.000. Todas as imagens foram capturadas somente com a luz ambiente. A câmara tem um dynamic range de excelente desempenho, proporcionando portanto um agradável equilíbrio entre as altas e baixas luzes. Como já referi anteriormente, poderia ter realizado outros testes de latitude se tivesse tido outro tipo de luz natural, de qualquer forma digo com toda a segurança que o comportamento da câmara é bastante positivo neste campo. O detalhe e o recorte obtidos podem atingir índices de grande classe, se combinarmos a A7s com as lentes adequadas. Fiquei positivamente surpreendido com o desempenho do micro incorporado que, embora não seja o ideal para um trabalho de topo, não envergonha ninguém numa situação de desenrasque. Não é comparável ao fraco som normalmente captado pelas DSLR. Notas negativas: Posicionamento do botão “REC” não é prático mas talvez seja o facto de estar muito acostumado ao botão central da Canon. A câmara é uma “comilona” de energia e a bateria "evapora-se" sem darmos conta, pelo que temos que investir em varias baterias de reserva ou numa outra solução de alimentação externa. Conclusão final: Tendo em conta a realidade da oferta de mercado actualmente, parece-me uma escolha bastante acertada, mas é uma câmara que precisa de ser compreendida e requer treino e conhecimento para se lidar com ela e atingir resultados de classe superior. Nota 8 ENG: Sony A7s As promised, here I share the little clip that resulted from the tests I did with Sony A7s. The images were captured during late afternoon and night, without any prior preparation and therefore do not contain predefined message or meaning. Weather conditions, despite adverse, helped in some parameters that wanted to test. However, obviously, on a clear day, or even with some clouds, i would have another kind of light to run several important tests. Already we are all tired of reading articles and see online testing, this is just another and it is quite simple. However, test it with my hands and see with my own eyes is always different. So this is my personal conclusion. It's no lie that is said of his behavior in low lights. In truth we can take high ISO values that in normal situations with a DSLR would put our work in serious risk with the appearance of such unwanted noise. In this this test i used ISO values that varied between 200 and 10,000. All images were captured only with ambient light. The camera has a dynamic range of excellent performance, thus providing a nice balance between high and low lights. As I mentioned earlier, could have done other latitude tests if i had another type of sun light. Anyway, i can say with all certainty that the camera behavior is very positive in this field. Its sharpness skills might achieve great class indices, if we combine the A7s with appropriate lenses. I was positively surprised with the built-in microphone system. Despite its performance it is not ideal for a top job, it is no shame to anyone to use it in a emergency situation. Is not comparable to the faint sound usually captured by DSLR. Negative notes: "REC" Button positioning is not practical but perhaps the fact that it am very used to the center button of the Canon. The camera is always hungry and battery literally "evaporates" without us to realizing it, so we have to invest in several spare batteries or in another external power solution. Final conclusion: Taking into account the reality of the market supply at present, seems to me a very wise choice, but is a camera that needs to be understood and requires training and knowledge to deal with it and reach top class results. YES IT´S TRUE!!! 8 Points (From 1-10)

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        • Franziska Neuhaus : Flow Arts Highlights 2009-2014

          04:58

          from Yannick Barthe / Added

          1,906 Plays / / 9 Comments

          When Franziska Neuhaus captivating world of dance and music meets with the element of fire a magical fusion occurs. Trying to capture and share these moments of dream and escape is a fascinating challenge for Yannick and Franziska - an attempt to infuse their common creativity into every video they make together. Discover the highlights of our last 5 years of amazing flow arts performed by Franziska Neuhaus on beautiful locations in Switzerland or abroad. Filming material : Sony HVR-Z1, Sony NEX-5n, Sony NEX-VG10, Sony FS100, Sony FS700, Sony 50mm 1.8, Sony 16mm 2.8, Zeiss 16-35mm 2.8, Zeiss 135mm 1.8, Tamron 90mm 2.8, Glidecam HD4000, Glidetrack HD, Kessler Crane, Pocket Dolly, LitePanel LP Micro Filmed and edited by Yannick Barthe, www.yannickbarthe.ch Performed by Franziska Neuhaus, www.firedancing.ch Music by Ivan Torrent and Julie Elven, www.tiny.cc/50odbx Images Copyright 2014, Yannick Barthe Films / Firedancing.ch

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          • SNOW SLOWLY FALLS

            01:50

            from dario tatoli / Added

            1,568 Plays / / 3 Comments

            produced by DARIO TATOLI MARCO CUCCINIELLO

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            • Test 7D - Low Lights & Slow Motion - La Tabacalera Madrid

              05:39

              from Carlos A. Montero / Added

              1,505 Plays / / 1 Comment

              Este es un montaje de varios clips que tomé nada más recibir la cámara en la Tabacalera en Madrid. Un poco para probarla en luces bajas y también para ver cómo iba el tema de la cámara lenta. Cámara: Canon EOS 7D Objetivo: Canon 50mm 1.8 II Vídeo a 23,967fps con los clips a cámara lenta rodados a 50fps Música: Xploding Plastix - Kissed by a Kisser -------------------------------------------- Those are some clips edited I took as soon as I got the camera in "La Tabacalera" in Madrid. Just for test it in low lights and to learn how to make slow motion videos. Camera: Canon EOS 7D Lenses: Canon 50mm 1.8 II The clips in slow motion are made in 50fps. Music: Xploding Plastix - Kissed by a Kisser.

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              • Sony a7s vs Canon 60D - Sharpness & Low Light

                02:48

                from Spearhead Media / Added

                1,162 Plays / / 8 Comments

                We just brought the new Sony a7s to be a B camera to our Canon C100, replacing our old Canon 60D. This camera really is exciting, not only does it have a fantastically sharp full frame 1080p image, but its low light performance is just mind blowing. Its noise also falls into the same camp as Canon's C100/300/500 in my opinion, where sure it gets noisy if you push it but the noise actually looks nice in some circumstances. For example the shot of the tree against the sky in this video, at ISO 25600 and even 51200, the noise could be perfectly useable depending on the project. Of course the Sony a7s completely defeats the 60D in every aspect really, it was always going to. This test was so we could see in a clear, real world situation, the differences between the two cameras. One thing I found really interesting was that even 720p 100fps on the a7s is sharper and more detailed than the 60D at 1080p. More tests to come! If anyone has anything they would like us to test out, let us know. Going to compare it to the C100 next when we get time, that will be the really interesting test! All footage shot using the Canon 24-105mm F4 L Lens (using the Metabones EF to E mount v4 on the sony) Music: "Window #3" by Two Bicycles (http://freemusicarchive.org/music/Two_Bicycles/Beko_Crash_Symbols_1/07_Window_3)

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                • Low Lights Trailer

                  01:36

                  from Michael Aust / Added

                  1,010 Plays / / 1 Comment

                  This is the trailer for LowLights, a german/lithaunian film - in cinemas this autumn!

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                  • David Manahan Cinematography Demo Reel

                    03:21

                    from David Manahan / Added

                    856 Plays / / 4 Comments

                    Demo Reel of Footage from Eclair NPR Super 16mm Film and HD 720p video from Panasonic HVX200. Filmed and edited by David Manahan

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                    • 50mm Lens Review - Canon vs Helios

                      02:46

                      from Otto Ferdinand / Added

                      748 Plays / / 0 Comments

                      A simple test between these two lenses. The 50mm fix lens of Canon f 1,4 and Helios f 2. Depth of Field, Color, Picture Style in Low Lights condition. Cheers!

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