1. Playgirl

    04:56

    from Gilles Guerraz / Added

    40.3K Plays / / 48 Comments

    Short movie written, shot and edited in 48 hours, for the 2009 48 hours Film Project edition, in Paris. Genre : "Film de femmes" Character: Lucas Durand, Président Prop: mice trap Line of Dialogue: "C'est bon d'être moi" (I love being me) With Sarah Suco & Vincent Londez Dialogues : Vincent Londez Directed and edited by Gilles Guerraz translation : Nicol Romero Cinematography Benoit Feller Sound Jean-Gabriel Romero Léonard Vasco A.D. Laure Duval Make Up Artist Tiffany Fouqueil Grips Sébastien Badreau Laurent Ripoll --------------------------------- court métrage écrit, réalisé et monté en 48h, à l'occasion de l'édition 2009 du 48 hour film project. Genre : film de femmes Personnage imposé : Lucas Durand, Président Objet imposé : tapette à souris réplique imposée : "c'est bon d'être moi" Avec Sarah Suco & Vincent Londez Figu : Olivier Bancal Romain Clément Laure Duval Vincent Meyer Laurent Ripoll Scénario Vincent Londez feat. Romain Clément Gilles Guerraz Image Benoit Feller Son Jean-Gabriel Romero Léonard Vasco Assistante réalisation Laure Duval Maquilleuse Tiffany Fouqueil Couteaux suisses Sébastien Badreau Laurent Ripoll Régie Tatiana Angibault Janis Laveix Photos de tournage Vincent Meyer Romain Clément Réalisation & montage Gilles Guerraz Remerciements Olivier Bancal Vincent Meyer Bar Barourcq MK2 café Belushi's Paris Librairie Les Buveurs d'encre Bar le Dauphin Brasserie le Carrefour Quincaillerie Mirus

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    • Relocation

      07:37

      from Kostas Petsas / Added

      1,050 Plays / / 19 Comments

      1922-1923: Almost two million people were forcibly made refugees and de jure denaturalized from their homelands after the events in Smyrna (Izmir), and the population exchange between Greece and Turkey, overseen by the international community as part of the Treaty of Lausanne. What happened to these people after their "relocation"? How did they get on with their lives? Where did they live? Only the last question can be answered partially: A part of this population arrived in Athens. A part of them was consequently housed in the refugee housing complex (Προσφυγικά), in the very center of the city. This is a series of 8 buildings, 228 flats, that were designed and built during the years 1933-1935; a fine example of the Bauhaus movement. 80 years later, many of these flats are still inhabited. The only decoration that the photographic lens captures nowadays in these aged buildings reflects the modern historical path of the country: Traces from the bullets in the walls reminding of the 1944 civil war events. Multicolored cloths are hung out in the small balconies. Some doors and window shutters are painted in vivid colors, probably to brighten up the day of modern time refugees that are still occupying these buildings. Shot with Canon HV30 and Handy35 DOF adapter. Slight grading with magic bullet looks Lenses used: Canon FD 20mm f 2.8, Kiron FD 24mm f2.0, Canon FD 50mm f 1.2 and Meyer Optik - Gorlitz Trioplan 100mm f2.8 V. Music by Lisa Gerrard: The Circulation of Shadows

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      • L' Expressif

        04:45

        from Jean Cyrille Muzelet / Added

        2,274 Plays / / 9 Comments

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        • Focus

          04:03

          from Jazz & Fly Fishing / Added

          12.6K Plays / / 8 Comments

          Music by Jazz & Fly Fishing One man, one camera, one fish, one situation. Plus some experimenting with the out-of-focus shapes with different lenses. Gear: Canon 60D with Tokina 11-16 f/2.8, Tamron 28-75 f/2.8, Minolta Rokkor 58 f/1.2, Meyer Görlitz 135 f/2.8 Thanks to Imago Fly Fishing and J:son Match'n Catch!

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          • diorama (final for now I think)

            00:30

            from Wiek Luijken / Added

            17.5K Plays / / 7 Comments

            This is a turnaround of a diorama I have worked on with two friends, Dieter Meyer and Mike Jagodzinski. The tank and characters have been modelled and textured by Dieter in Modo. I have added procedural shaders in houdini to the tank to add dirt and damage. Mike has made the assault rifle and the wood holding up the barbed wire. He also modelled the curves for the barbed wire which were turned in to procedural barbed wire by me. The environment, lighting, compositing and smoke were done by myself, basic modelling in modo, the rest in Houdini. As with the gorilla, a lot of the textures are procedural as well as the placement of a large part of the rubble.

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            • 2011.08.05 - Rainbows Unicorns and Pixies vs. ETA7

              15:28

              from Air Hockey / Added

              38 Plays / / 4 Comments

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              • Making-Of ULTIMATE

                24:50

                from David Kaliga / Added

                4,176 Plays / / 4 Comments

                Additional scences from Emmering and Munich, the intro shot with the bobbycars pimped by ourselves. Some information about the intros, and some more stuff.

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                • Meyer/Stemmle Packaging Company (Corporate Film)

                  02:36

                  from Lars Peter Lueg / Added

                  320 Plays / / 4 Comments

                  Producer & Word-Artist: Lars Peter Lueg Director & Sound-Artist: Andy Matern Narrator: Till Hagen A film by Deluxe-Image.de http://www.Deluxe-Image.de Filmed with the mighty Canon 5D MKII (A-Cam) and the amazing Panasonic GH2 (B-Cam) in Germany. Timelapse at 01:18 with the sweet Olympus PEN E-PL3. Music and Animations by the wonderful Andy Matern.

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                  • Mandelbrot Fractal Trip To e49

                    06:37

                    from teamfresh / Added

                    1,867 Plays / / 4 Comments

                    a slow smooth zoom into the mandelbrot fractal set Music is "Rancho Galaxo" provided by Sven Meyer, one half of "junopilot" if you like the music please check out http://www.myspace.com/junopilot love fractals? want to chat about them? http://www.fractalforums.com

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                    • [Personal Project] ASVP - Time changes

                      02:30

                      from Valentin Farkasch / Added

                      the ASVP team started 1999 as a bunch of skaters who wanted to create something. after 10 years of filming, skating, bonebreaking and partying the only thing left to say is: "time has changed"

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