1. Recording Acoustic Guitar Part One


    from soulsound.co.uk / Added

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    Capturing a truthful recording of a performance is the goal for studio engineers – Marcel shares his thought processes and methods for achieving this. In Part One of this masterclass, Marcel concentrates on microphone choice for Acoustic Guitar. He takes us through his thought process that lead to him choosing an omni condenser mic for this application at this time - it’s all about capturing the timbre of this particular guitar. In true Marcel style, he delves deeply into microphone design, how polar patterns are created, why diaphragm size is an important consideration and the proximity effect. Even if you're a seasoned studio engineer, this is worth a watch for new insights.

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    • Polar Pattern Audiovisual Comparison


      from Victor van Dijk / Added

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      An audiovisual comparison between a dynamic omni-directional, a cardioid condenser, and a hyper-cardioid condenser microphone.

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      • Bi-Directional-Demo-Excerpt


        from Sam Greene / Added

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