1. ABCD: University Scene


    from VERRECHIA FILMS / Added

    272 Plays / / 0 Comments

    ABCD Movie: facebook.com/ABCDMALAYALAMMOVIE Footage from the university scene. Director: Martin Prakkat Producer: Shibu Thameens Director of Photography: Dylan Verrechia Steadicam Operator: Victor Lazaro Focus Puller: Andrew Brinkman Edited by Victor Lazaro Camera, G&E and Crew provided by: Verrechia Films Music: Headphonetic by Revolution Void (revolutionvoid.com) Released by Thameens Films Camera: RED Epic-X #02118 Lenses: Arri Zeiss Ultra Primes 10mm, 16mm, 24mm, 32mm, 50mm, 85mm, 135mm T1.9 www.verrechiastudios.com

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      from Norbert Jalitsch / Added

      78 Plays / / 0 Comments

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      • Parasim Video


        from Aimee Galicia Torres / Added

        36 Plays / / 0 Comments

        Parasim Video that I dped on my Red Epic-X

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        • Tiempo de azores · teaser trailer


          from NaturaHD Films / Added

          11.8K Plays / / 19 Comments

          Avance de "Tiempo de azores" un documental sobre el arte de la cetrería, su esencia y filosofía como forma de vida, con el azor como protagonista. Teaser trailer of "Time of the goshawk" a film about the art of falconry, its essence and philosophy. * info y DVD/Blu-ray a la venta en www.tiempodeazores.com Dirección: Nacho Ruiz Rizaldos. Fotografía: Alberto Saiz. Producido por NaturaHD Films con GrupoAviar & Taller de Fieras

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          • Brandon Smith Red Epic waterhousing test


            from Morgan Maassen / Added

            26.4K Plays / / 11 Comments

            Brandon Smith surfing a secret spot at home. Red Epic test. technical notes: Red Epic-X brain Nikon 14mm F/2.8 SPL waterhousing 3k HD • 150fps Adobe premiere pro 6 addendum: dear Apple, Final Cut X is the worst thing ever. sincerely, a dedicated user of 10 years :(

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            • City In The World


              from Colby Moore / Added

              39K Plays / / 43 Comments

              MUSIC: "Air Prelude" by Kevin Macleod Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/ A short and creepy montage of scenes shot around the ever-photogenic island of Manhattan -- filmed entirely in high-dynamic range and comprised of some HDR Timelapse footage I shot, along with a collection of slow-motion and normal 24fps footage processed from Red Epic-X RAW video that I recently captured and then exported as -2,0+2 TIFF stacks to be tone mapped in Photomatix using a batch processing workflow. Please note that none of this was shot using HDRx -- only normal exposures from the camera post-converted into HDR using the traditional faux-HDR method of pushing and pulling the RAW file to create bracketed images. While HDRx is a powerful tool with a lot of benefits for shooting realistic looking extended dynamic range, I chose to steer clear of it this time in an effort to avoid the motion artifacts that come with it. Especially in light of the fact that I imagine those slight artifacts would have been particularly problematic when working with a more "surreal" method of HDR tone-mapping, as opposed to the more subdued and natural proprietary algorithm Red uses. Also, in this case, the goal was to show the added "pop" you get with HDR video when tone-mapped using a Photomatix detail compressing workflow, while trying to avoid going too far over the top and completely "cracking out" the image. Please note that my method admittedly has several drawbacks -- namely the grain from the pushed footage is a little excessive at times (a lot at others), and additionally, the push/pull limitations of the RAW file still won't allow me to capture the full dynamic range of an extreme lighting location like Times Square the way I can with DSLR bracketing of many more stops. Thus, billboards are still blown out in some of the shots -- just not as blown out as they would have been in traditional video footage. Additionally, unfortunately in an attempt to mask some of the excessive noise, I took some artistic liberties with noise reduction, and the overall sharpness suffers a bit in several shots. There are also some flickering issues, some related to the high-frame rates I shot at for certain scenes, and others related more to the processing of the HDR itself, since preventing the ugly halos associated with bad HDR is even more tricky with moving footage. I think I did my best under the circumstances, but there are a few shots where halos rear their ugly heads. To top it off, some of the high-frame rate footage was shot at a higher compression rate (and a few normal 24fps shots where I goofed), and thus the tone-mapped image really brings out some of the artifacts there too. I tried to keep that footage to a minimal, but there were certain shots that I liked compositionally that I chose to include anyway. Nevertheless, the idea here is to give you an idea of what can be captured with a workflow similar to this, as well as to hint at what might be possible once in-camera HDR technology improves to the point of capturing at least three exposures simultaneously without the added detriment of having to push and pull in post, which as stated before, adds quite a bit of grain. Thanks, and I hope you enjoy...

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              • Scary Squirrels Fight


                from Big Waves Productions / Added

                I shot this video with my RED Epic-X camera in super high speed mode

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                • 123" supermoto


                  from Norbert Jalitsch / Added

                  2,937 Plays / / 1 Comment

                  123 seconds supermoto, wiener neustadt 2012. shot on red epic-x in 2k 300fps, canon glass

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                  • VON HAZE – Mother Mountain


                    from VERRECHIA FILMS / Added

                    1,896 Plays / / 0 Comments

                    MOTHER MOUNTAIN music video by Von Haze performed by Travis Caine and Katherine Kin shot on the RED Epic-X #02118 in Virginia. Artist: Von Haze Label: Pendu Sound Recordings Director / Director of Photography / Writer / Producer / Co-Editor: Dylan Verrechia Producer / Stylist / Prop Master: Angela Barrow Editor / Colorist / Titles: Alessio Giorgetti Grip: Brian Corizzo Talent: Elijah Corizzo, Skylar Corizzo, Rodney Seitz, Brian Corizzo Verrechia Films LLC Camera: RED Epic-X #02118 Lenses: RED Pro Primes 18mm, 35mm, 50mm T1.8 Edited on Adobe Premiere CS6; Color Graded & Titles in Final Cut X www.verrechiastudios.com

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                    • YONAS – Don't Give a Damn


                      from VERRECHIA FILMS / Added

                      917 Plays / / 1 Comment

                      My 1st RED underwater shoot. Music video directed by Nat Prinzi, shot on my RED Epic-X #02118. Artist: Yonas Label: 1st Round Records Director: Nat Prinzi Producer: Owen Rosenblum Director of Photography / RED Underwater Operator: Dylan Verrechia 5D Operator: Dan Moraru AD: Chris Yoon Editors: Dan Moraru, Nat Prinzi Colorist / Titles: Robert Simmons Gaffer: Mike Sutter Grip: Will Malin Hair & Make-up: Stephanie Maroulis Production Company: Betterdays Camera provided by: Verrechia Films Camera: RED Epic-X #02118 Lenses: Angenieux Optimo DP 16-42mm T2.8, RED Pro Prime 50mm T1.8 www.verrechiastudios.com

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