1. Pastor Marty Layton Hosts Zoro On TBN's Praise the Lord

    25:11

    from LIFEPOINTE MINISTRIES / Added

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    Pastor Marty Layton Hosts Zoro The Drummer On TBN's Praise the Lord! Prophet Marty Layton of Lifepointe Church discusses life and ministry with world renown drummer, music artist, and minister Zoro. Filmed on location in Hendersonville, TN at Trinity Music City. For More information on Pastor Marty, visit: http://www.MartyLayton.com and http://www.LifepointeChurch.cc

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    • What's With The Cattitude -Life

      02:17

      from Kristin McMann / Added

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      ft.ing Zoro as himself, and Cali as Grumpy Cat What's With The Cattitude Poem by Tris McMann Cinematography by Tris McMann Editing by Tris McMann Cypress College Media Arts Design 2014

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      • Ouverture de la Boutique en ligne sur www.egocracy.fr

        01:09

        from Egocracy Officiel / Added

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        Marque Parisienne à l'Ambition Universelle Une Nouvelle Vision de l'Ego

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        • André_Yoann_GrA

          01:07

          from yandre / Added

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          Projet 3D Prépa IIM Bonjour, je m’appelle Yoann André, étudiant au Pôle Universitaire Léonard de Vinci dans l’école IIM et voici mon projet 3D . Dans les années suivantes je souhaite intégrer l’axe 3D cinéma d’animation. Mon projet 3D met en scène Roronoa Zorro (modélisé et animé par mes soins), dans un décor japonais (fournis mais sans textures) sur un kata (voici la vidéo de référence : https://www.youtube.com/watch?v=OhPYcO-YDtU ) Ce projet présente plusieurs points négatifs, notamment au niveau du skinning qui fait ressortir certains problèmes au niveau des textures. En effet, quand j’ai déplié les UVs et attribué les IDs pour le Multit Sub/Objet j’ai mal synchronisé les polygones ; ce qui peut se remarque au niveau du pantalon et de la ceinture du personnage. De plus, après plusieurs remarques que l’on m’a faite, j’ai ressenti que les caméras ont des mouvements trop brusque, trop rapide ce qui empêche de bien observer les mouvements du personnage. Un autre point faible est le son. En effet, en réutilisant la bande-son de la vidéo de référence, nous ne distinguons que très peu les bruitages du (des) personnage(s). Pour ce qui est des points forts, le décor est texturé (sauf la grande porte de la grande cour, mais chut personne n’a vu !) ; Je trouve que ma modélisation est plutôt correcte même s'il manque cruellement de forme ! Pour ce qu’il en est des remerciements, Merci à : Mr Christophe Live Tha kine ; mon professeur de 3D, toujours présent et toujours à l’écoute sur le moindre problème. Julien Arnaudet, pour son aide et sa motivation. Victor Arnaboldi et Leo Uzan, pour leurs remarques majoritairement constructives ;) Merci d’avoir pris le temps de lire et Have Fun pour la suite =)

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          • Salone del Libro di Torino ospiti 8 maggio 2014

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            from Telesu.tv / Added

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            Al Salone del Libro di Torino, con Sveva Casati Modignani, Geppy Cucciari, Serge Latouche, Stefano Benny, Zoro, Makkox, e Carla Signoris con Gianna Schelotto

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            • One Piece - Legend of Enies Lobby

              03:49

              from Sandi1st / Added

              22 Plays / / 0 Comments

              One Piece amv Legend of Enies Lobby

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              • One Piece Pirate Warriors 2- Review

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                from Moral Gamer / Added

                17 Plays / / 0 Comments

                Want to see more? Visit us at http://themoralgamer.com Like us on Facebook: facebook.com/moralgamer Follow us on Twitter: twitter.com/moralgamer Watch More on Vimeo: vimeo.com/moralgamer Subscribe to us on YouTube: youtube.com/user/moralgamer Special thanks to Partners in Rhyme for the intro music.

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                • Chasing The Tail - Zoro Feigl

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                  from stichting MU / Added

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                  August 16 - September 29 2013 The installations of Zoro Feigl (1983) seem to be alive. His materials danse and twist. Placed together in a space, the separate works become one: large and ponderous in places, nervous or gracious elsewhere. Feigl’s forms are constantly changing, sometimes slowly,sometimes quickly. The exhibition space becomes an enlarged microscope: single-cell creatures, primitive organisms are twisting, groaning and convulsing. Without beginning or end the objects seem to be locked into themselves. As a viewer you become entangled in their movements: they embrace and amaze, but sometimes also frighten you. Everyone knows the image of a dog chasing its own tail. We see an animal endlessly turning round and round, but the animal itself sees something that draws it’s full attention. Oops, got to chase it. But the tip of the tail vanishes as quickly as it comes closer. Repetition and change are at the core of all the new works that Feigl is creating especially for his first large solo. Each of these is an attempt to make his favorite synthetic material come alive. It moves until a screw comes loose, a part wears out or something just breaks. This vulnerability of Feigl’s ‘beasts’ is reminiscent of our own fragility and our longing to project life onto lifeless things. But most of all his work just oozes the pleasure of movement. Endlessly captured, until something breaks. In autumn MU will publish a special transmedial publication about Zoro Feigl’s work in combination with his exhibition. For more information check www.mu.nl or www.zorofeigl.nl

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                  • HANSA BUTAN

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                    from Dennis Glomm / Added

                    739 Plays / / 0 Comments

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                    • ZORO FEIGL - Stedelijk Museum Schiedam

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                      from De Montagekid / Added

                      675 Plays / / 0 Comments

                      Impressie van het werk van Zoro Feigl in het Stedelijk Museum Schiedam. Genomineerd voor de Volkskrant Beeldende Kunstprijs 2013, winnaar Publieksprijs! Een film van Jeanne van der Horst

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