The artist is from the generation grown in front of the TV:
since the infanthood, he was fed with cartoons,
advertising, science-fiction movies. As a small NERD from
the Eighties, his interests were early turned toward
technological knowledge (the artificial brain myth) rather
than soccer game and, if games passionate him at all,
were those he found, and collected, within the Kinder
Surprise eggs. Soon later, the adolescent fell in love with
all sorts of metropolitan culture: street art, break dance
and Hip Hop music, especially the first electronically
sampled sound research. Finally, he focused on the artistic
shapes of urban installations and obsessively investigated
the iconic language of street signals, thus taking
world as a baseline to allude to, and to spill over into, the
world, its visions, its deliriums, its truths. Though
never oblivious of the early love for science and
technologies, this research path allows for a much
cherished and purposefully revealing linkage of the art
work with a social accent. Inspired by a playful taste,
Pulitano nevertheless conveys thoughtful remarks and a
proper philosophy of life about the salient topics of his
generation’s material and symbolic environment. Like the
creative mixes of a visual DJ of sorts, his recycled art
works bring to the fullest expression the inexhaustible
semantic richness inherent in the human experience.