Linden Hudson Plus

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Linden Hudson is a professional location TV & Film sound engineer with 28 years of experience (semi-retired). A very interesting fact about Linden is that he was once a very important part of the team that produced one of most famous record albums in pop music history, the huge ZZ Top ELIMINATOR album. This album sold well beyond ten million copies in the USA alone (10 times platinum and beyond). It was chosen by Rolling Stone as one of the top 500 albums in pop music history. Half the songs on the album were hit singles (5 songs reached the Billboard Hot 100). ELIMINATOR was nominated for a grammy. This album was huge.

CLASSICBANDS DOT COM said: "According to former ZZ Top roadie David Blayney in his book SHARP DRESSED MEN: "Linden Hudson co-wrote much of the material on the ZZ Top ELIMINATOR album." (end quote)

You might say to yourself "wow, that must have been awesome for Linden". But, here's the shitty part of the story: Linden Hudson never received any credit at all for his creative work on the ELIMINATOR album, nor did ZZ Top opt to pay Linden a dime for his significant contributions to the album. In fact, when revelations of Linden's rather beefy involvement in this album began to surface, ZZ Top management treated Linden like dirt and worked hard to cover up the reality of his involvement. What was done to Linden by ZZ Top guitarist Billy Gibbons and ZZ Top management was disturbing and very wrong.

QUOTE: by David Blayney (ZZ Top stage manager for 15 years), in his book SHARP DRESSED MEN: "Linden Hudson in a fair world should have had his name all over ELIMINATOR and gotten the just compensation he deserved. Instead he got ostracized.” (end quote)

Many well known journalists have stated that the songwriting was one of the strong points of the ELIMINATOR album. But, another thing that helped with the album's massive success was the injection of synthesizers and techno-pop sound-design techniques. This is undisputed. So, we offer up more revelations: Recently Billy Gibbons (guitarist for ZZ Top) admitted that It was Linden Hudson who introduced the synthesizers into the ZZ Top sound in the early 80's.

Yes, these "synthesizer" revelations were finally stated by ZZ Top guitarist Billy Gibbons to MUSICRADAR DOT COM in a 2013 interview. In this interview Billy Gibbons cautiously began to break 30 years of silence about Linden Hudson's work in the early 80's, Billy Gibbons said: “This was a really interesting turning point. We (ZZ Top) had befriended somebody who would become an influential associate, a guy named Linden Hudson. He was a gifted songwriter and had production skills that were leading the pack at times. He brought some elements to the forefront that helped reshape what ZZ Top were doing, starting in the studio and eventually to the live stage. Linden had no fear and was eager to experiment in ways that would frighten most bands. But we followed suit, and the synthesizers started to show up on record.” (End Quote) (This tiny admission from Billy Gibbons, when you consider the actual situation, was truly lame, Jeez, it only took thirty years to reveal just that tiny amount, so take your time Billy. We don't want to hurry you.).

Why did Billy Gibbons (ZZ Top guitarist) wait thirty years to begin to tell the public about Linden Hudson's important contributions to the bands' recordings, sound-design, and musical flavor? Why did Linden never receive co-writer credits for his work on the blockbuster "Eliminator" album? It is, of course, disgusting and even tragic.

Quote: by David Blayney in his book SHARP DRESSED MEN: “I find it hard to believe that the boys (ZZ Top) intentionally set out to do a number on Linden, but sometimes you tend to forget where you came from. It’s very easy to get both greedy and self-serving in “show bidness” (end quote).

What happened to Linden Hudson was truly sad. He never got over it. Put yourself in his shoes. How would you feel? The fact that the album was titled ELIMINATOR is ironic, because it was Linden who got ELIMINATED.

Billy Gibbons and ZZ Top management totally denied Linden Hudson's creative involvement in the historical "Eliminator" album. They invented stories and put multiple spins on the whole "Eliminator" project just to cut Linden out of the deal (and out of the Glory of it all). Yes, Billy G simply covered it all up. It was quite simply the way that Billy Gibbons chose to thank Linden for his work and unique creative contributions to the album. The "Eliminator/Linden Hudson" cover up is still in effect to this day. Although Billy Gibbons is finally beginning to say a few things about Linden, the specific "Hudson/Eliminator connection" is still kept hush hush. They will keep all that glory for themselves.

Here is a quick description of the "Eliminator" album's level of popularity and success: This hugely popular ZZ Top album received several DIAMOND record trophies (in the US and In Canada, each diamond trophy represents a minimum of 10 times the sales of platinum, it's absolutely huge). And, besides the diamond trophies in the USA and Canada, the album reached multi-platinum in many countries around the world, a feat they had never achieved. Linden Hudson watched the album stay on the charts for years. His mood was rock bottom. ELIMINATOR was nominated for a grammy. Linden Hudson was not invited to anything (or even mentioned by anyone).

Quote: From the book: “ZZ TOP – BAD AND WORLDWIDE” (Rolling Stone Press, Written by Deborah Frost): "With the release of their ninth album, Eliminator, in 1983, these hairy, unlikely rock heroes had become a pop phenomenon. This had something to do with the discoveries of a young preproduction engineer (Linden Hudson) whose contributions, like those of many associated with the band over the years, were never acknowledged." (end quote)

As we've said before, Rolling Stone listed the "Eliminator" album as one of the top 500 albums in pop history. With regard to this pop phenomenon Linden has been discussed in 4 books, written over the years, by well known writers, plus he's been in Rolling Stone magazine and many other magazine/newspaper articles. There's another outrageous fact about all the neglect, and that is: Besides an extremely strong involvement in the entire album, Linden Hudson wrote one hundred percent of one of the songs on the album (the song "Thug") and he actually OWNED the copyright, Sadly, he had to sue ZZ Top for the royalties, However, much of his proceeds from a settlement went to lawyers. When Billy G used Linden's copyrighted song "Thug" without giving Linden credit or offering the normal royalties, it was just another slap in the face from the bearded cartoon character.

Sadly, all this leaves one of the "little people" (Linden) to fend for himself should he want due credits. Never mind all the lost royalties over the years which could have helped sustain such a "shat upon" human being (Linden) and which could have helped him through some of the low points in his life. Yes, of course, we know Linden's just a little person, in the shadows, an unpaid ghost, not a rock star, no big deal, got it, sorry for the bother. What seemed like the beginning of Linden's greatest moment turned out to be just the beginning of a shitty, long nightmare. Of course this situation illustrates the way so many ego-centric rock stars think with regard to the humans around them, and the public has witnessed this mode of "star" thinking all too many times in the media. Please read more specific information about Linden's "not so much fun" music adventure at: lindenhudson.com/fa .

Quote: David Blayney (ZZ Top stage manager for 15 years) said in his book SHARP DRESSED MEN: (page 227): "The song LEGS, Linden Hudson introduced the pumping synthesizer effect."

See Linden in Wikipedia pages (search each page for Linden's name) at:
en.wikipedia.org/wiki/ZZ_Top
en.wikipedia.org/wiki/Eliminator_(album)
en.wikipedia.org/wiki/Legs_(song)
en.wikipedia.org/wiki/Got_Me_Under_Pressure
en.wikipedia.org/wiki/Musical_plagiarism
en.wikipedia.org/wiki/El_Loco

Quote: From The Book: “ZZ TOP — BAD AND WORLDWIDE” (Rolling Stone Press, written by Deborah Frost): “Eventually they decided to use the song (“Thug” by Linden Hudson) on “Eliminator”. They (ZZ Top) and Bill Ham (ZZ’s manager) refused to discuss the question of royalties or album points with him (Linden). They didn’t deny he wrote the song”.

We pose a question to the great, all powerful (and self declared reverend) Mr Billy Gibbons: "Hey Billy, yes you Mr Gibbons, how have you felt about this Linden Hudson matter throughout the years? Just curious."

Linden Hudson expects nothing at this point in time, but he does dream about having a diamond or platinum record for his wall, presented by some PROPER authority (very slim chance, it's just a dream). It's one day at a time in this quest and Linden will happily toss back a shot of whiskey at any incremental breakthrough in this matter. He waits and watches. Linden Hudson will tell this story until he dies, he's made that promise to himself. It's the internet that has given Linden a way to begin to deliver this story. There was no way to tell it in earlier times. And, hopefully the inertia of the internet will help sustain the information and this story. When a human being makes an important contribution to a highly popular work of art, that human being should receive credit and the world should know this. And, when certain folks treat a person who made a difference with such disrespect, the world should hear about that as well. It's simple (karma?, a ghost coming back? cause and effect?).

QUOTE: From The Book: SHARP DRESSED MEN – ZZ TOP (HYPERION BOOKS)(By David Blayney - ZZ Top's Stage Manager Of 15 Years): “Linden found himself in the position of being Billy’s (Billy Gibbons, ZZ TOP guitarist) closest collaborator on “Eliminator”. In fact, he wound up spending more time on the album than anybody except Billy. While the two of them spent day after day in the studio, they were mostly alone with the equipment and the ideas.” (end quote)

FROM THE BOOK: “SHARP DRESSED MEN — ZZ TOP” BY DAVID BLAYNEY: “The integral position Linden occupied in the process of building “Eliminator” was demonstrated eloquently in the case of the song “Under Pressure”. Billy and Linden, the studio wizards, did the whole song all in one afternoon without either the bass player or drummer even knowing it had been written and recorded on a demo tape. Linden synthesized the bass and drums and helped write the lyrics; Billy did the guitars and vocals.” (end quote)

QUOTE: From Rolling Stone: “With 1983′s Eliminator, ZZ Top made a quantum leap from best-kept secret to massive stardom”.

Please don't forget this story, and pass it on if you see fit.

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