Linden Hudson is a location TV-Film sound man of 25 years. An extremely interesting fact about Linden is that he was on the team that produced one of most popular and successful record albums in pop music history, the huge ZZ Top ELIMINATOR album. This album sold well beyond ten million copies in the US alone. It was chosen by Rolling Stone as one of the top 500 albums in pop history.
CLASSICBANDS DOT COM said: "According to former ZZ Top roadie David Blayney in his book SHARP DRESSED MEN: "Linden Hudson co-wrote much of the material on the ELIMINATOR album." (end quote)
However, this story has a tragic twist: Linden Hudson never received credit for his creative work on the ELIMINATOR album, nor did ZZ Top opt to pay Linden a dime for his significant contributions to the album. What happened to Linden Hudson was just wrong.
QUOTE: by David Blayney (ZZ Top stage manager for 15 years), in his book SHARP DRESSED MEN: "Linden Hudson in a fair world should have had his name all over ELIMINATOR and gotten the just compensation he deserved. Instead he got ostracized.” (end quote)
Many well known journalists have stated that the songwriting was one of the strong points of the ELIMINATOR album. But, another thing that helped with the album's massive success was the injection of synthesizers and techno-pop techniques. This is undisputed. So, we offer up more revelations: It was Linden Hudson who introduced the synthesizers into the ZZ Top sound in the early 80's. It's one hundred percent true. These facts were finally stated by none other than ZZ Top guitarist Billy Gibbons to MUSICRADAR DOT COM in a 2013 interview. In this interview ZZ Top guitarist Billy Gibbons cautiously began to break 30 years of silence about Linden Hudson's work in the early 80's, Billy Gibbons said: “This was a really interesting turning point. We (ZZ Top) had befriended somebody who would become an influential associate, a guy named Linden Hudson. He was a gifted songwriter and had production skills that were leading the pack at times. He brought some elements to the forefront that helped reshape what ZZ Top were doing, starting in the studio and eventually to the live stage. Linden had no fear and was eager to experiment in ways that would frighten most bands. But we followed suit, and the synthesizers started to show up on record.” (End Quote) (This tiny revelation from Billy Gibbons was lame, when considering the actual situation).
Why did Billy Gibbons (ZZ Top guitarist) wait thirty years to begin to tell the public about Linden's important contributions to the bands' recordings and music? Why did Linden never receive co-writer credits on the "Eliminator" album?
Quote: by David Blayney in his book SHARP DRESSED MEN: “I find it hard to believe that the boys intentionally set out to do a number on Linden, but sometimes you tend to forget where you came from. It’s very easy to get both greedy and self-serving in “show bidness” (end quote).
It was truly wrong and truly sad. Linden never got over it. Put yourself in his shoes. How would you feel? The fact that the album was titled ELIMINATOR is ironic, because it was Linden Hudson who got ELIMINATED.
Billy Gibbons and ZZ Top management totally denied Linden's creative involvement in the historical "Eliminator" album. Billy G simply covered it all up. It defines Billy Gibbons. The cover up still exists in large part to this day.
Here is a quick description of the album's level of popularity and success: This hugely popular ZZ Top album received several DIAMOND record trophies (in the US and in Canada, each diamond trophy represents a minimum of 10 times the sales of platinum, it's huge). And, the album reached multi-platinum in many countries around the world, a feat they had never achieved. Linden Hudson sat at home in silence and watched the album stay on the charts for years. ELIMINATOR was nominated for a grammy. Linden Hudson was not invited (or even mentioned by anyone).
Quote: From the book: “ZZ TOP – BAD AND WORLDWIDE” (Rolling Stone Press, Written by Deborah Frost): "With the release of their ninth album, Eliminator, in 1983, these hairy, unlikely rock heroes had become a pop phenomenon. This had something to do with the discoveries of a young preproduction engineer (Linden Hudson) whose contributions, like those of many associated with the band over the years, were never acknowledged." (end quote)
As we've said before, Rolling Stone listed the "Eliminator" album as one of the top 500 albums in history. With regard to this pop phenomenon Linden has been discussed in 4 books by well known writers, plus he's been in Rolling Stone magazine and many other magazine/newspaper articles. Besides strong involvement in the entire album, Linden wrote one hundred per cent of one of the songs on the album (the song THUG) and he owned the copyright. Sadly, he had to sue for the royalties, and much of his proceeds went to lawyers. Welcome to the dark side of the music world, the VERY dark side.
Sadly, all this leaves one of the "little people" (Linden) to fend for himself should he want due credits. Never mind all the lost royalties over the years which could have helped sustain such a "shat upon" human being (Linden) and which could have helped him through some of the low points in his life. Yes, of course, we know Linden's just a little person, in the shadows, an unpaid ghost, not a rock star, no big deal, got it, sorry for the bother. Of course this situation illustrates the way so many ego-centric rock stars think with regard to the humans around them, and the public has witnessed this mode of "star" thinking all too many times in the media. Please read more specific information about Linden's "not so much fun" music adventure at: lindenhudson.com/fa .
Quote: David Blayney (ZZ Top stage manager for 15 years) said in his book SHARP DRESSED MEN: (page 227): "The song LEGS, Linden Hudson introduced the pumping synthesizer effect."
See Linden in Wikipedia pages (search each page for Linden's name) at:
Quote: From The Book: “ZZ TOP — BAD AND WORLDWIDE” (Rolling Stone Press, written by Deborah Frost): “Eventually they decided to use the song (“Thug” by Linden Hudson) on “Eliminator”. They (ZZ Top) and Bill Ham (ZZ’s manager) refused to discuss the question of royalties or album points with him (Linden). They didn’t deny he wrote the song”.
We pose a question to the great, all powerful (and self declared reverend) Mr Billy Gibbons: "Hey Billy, yes you Mr Gibbons, how have you felt about this Linden Hudson matter throughout the years? Just curious."
Linden Hudson expects nothing at this point in time, but he does dream about having a diamond or platinum record for his wall, presented by some PROPER authority (very slim chance, it's just a dream). It's one day at a time in this quest and Linden will happily toss back a shot of whiskey at any incremental breakthrough in this matter. He waits and watches. Linden Hudson will tell this story until he dies. It's the internet that has given Linden a way to begin to deliver this story. There was no way to tell it in earlier times. And, hopefully the inertia of the internet will help sustain the information and the sad story of a person getting treated with such deep disregard. When a human being makes an important contribution to a highly popular work of art, that human being should receive credit and the world should know this. And, when certain folks treat a person who made a difference with such disrespect, the world should hear about that as well. It's simple (karma?).
QUOTE: From The Book: SHARP DRESSED MEN – ZZ TOP (HYPERION BOOKS)(By David Blayney - ZZ Top's Stage Manager Of 15 Years): “Linden found himself in the position of being Billy’s (Billy Gibbons, ZZ TOP guitarist) closest collaborator on “Eliminator”. In fact, he wound up spending more time on the album than anybody except Billy. While the two of them spent day after day in the studio, they were mostly alone with the equipment and the ideas.” (end quote)
FROM THE BOOK: “SHARP DRESSED MEN — ZZ TOP” BY DAVID BLAYNEY: “The integral position Linden occupied in the process of building “Eliminator” was demonstrated eloquently in the case of the song “Under Pressure”. Billy and Linden, the studio wizards, did the whole song all in one afternoon without either the bass player or drummer even knowing it had been written and recorded on a demo tape. Linden synthesized the bass and drums and helped write the lyrics; Billy did the guitars and vocals.” (end quote)
QUOTE: From Rolling Stone: “With 1983′s Eliminator, ZZ Top made a quantum leap from best-kept secret to massive stardom”.
- Linden Hudson - Linden Hudson Website