Susanne Stich is originally from Nürnberg, Germany, and lives in the Northwest of Ireland.
Her creative work involves both image-making (mostly film & some photography) & writing (short stories & flash fiction).
Her visual work has been shown as part of film festivals (Corona Cork Film Festival; Frameline San Francisco; Merlinka Film Festival, Belgrade, Serbia; Montecatini Mostra Internazionale Del Cortometraggio, Italy; Davis Feminist Film Festival, California; Belfast Photo Festival; Galway Film Fleadh; Cinesonika - Celebrating the Soundtrack & others), solo & group exhibitions (Void, Derry; Context Gallery, Derry; Artlink, Fort Dunree, Inishowen; Burren College of Art & others) & academic conferences (Journal of Media Practice Symposium, Bristol; ISEA Inter-Society for the Electronic Arts, Belfast; SIEF Congress, Derry & others).
Her writing has been published in English & German in many anthologies & magazines (e.g. The Stinging Fly, The Impressment Gang, Cuirt Journal, West 47, Macondo - Die Lust am Lesen, LiMa - das Literaturmagazin & others)
She has lectured part-time in the School of Art & Design at University of Ulster since 2001, and has been a member of the curatorial board at VOID, Derry since 2009, where she curated exhibitions by Anna Konik, Margaret Salmon, Grace Schwindt & Christian Jankowski.
In 2010 she completed a PhD with Visual Practice which examined the "Visibilities of Childhood in Moving Image", emphasizing children's agency and child-adult connectedness. The project combined art-based methods with a theoretical framework drawing on discourse from cultural geography, visual anthropology & sociology. It also included three case studies of film artists Eija-Liisa Ahtila, Miranda July and Jane Campion.