Video loop, 1 min.

Since the age of five I have worn orthopaedic pads to correct my being flatfooted, and ever since I invent solos meant especially for my feet. I test materials in relation to their choreographic usability. These materials are subjected to a choreographic endurance test – with respect to how they stretch, break, and tear. In this way, I assign to materials specific and corresponding courses of movement or borders of movements. Material-induced choreographies generate material-induced sounds.

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