What began as "A poetic introduction to the fiction film as videographic criticism that seeks to illustrate the works of Raymond Bellour and Laura Mulvey through BLOW OUT, BLOW UP, and THE CONVERSATION" eventually became a more modest experiment in exploring the narrative, stylistic, and thematic connections between Michelangelo Antonioni's BLOW-UP, Francis Ford Coppola's THE CONVERSATION, and Brian De Palma's BLOW OUT. This is the second version - made before the theoretical framing device was ultimately jettisoned.
Differences from Version .5: I realized that I needed to begin intercutting between the three films earlier to establish more of an aesthetic rhythm and conceptual dynamism. If I had stuck with the structure outlined in draft .5, I wouldn't have introduced THE CONVERSATION until almost 2 minutes in (and BLOW OUT probably nearly three minutes). In short, it was becoming a piece dominated by discrete thirds without really doing much intellectually.