An anti-cinema film in the vein of an absurdist play of the 50s (i.e. focus on repetitions of purposeless action. No thought line. Stereotypical speech. Characters will often speak in clichés, pseudo intellectual rhetoric or monologues). A woman is trying to finish an ikebana piece and is interrupted by four guests. With each guest the dialogue makes no sense and the camera movement is repeated until the end when it is philosophized and ended.