This was shot with two Panasonic GS 500 cameras set on Manfrotto tripods, with one for a full mono-static view of the entire stage. The other GS500 was set to a mono-static view of center stage. Also used was a Panasonic GS300 on a Manfrotto mobile support, to capture B Roll footage.
Audio was captured by a Rode Stereo Videomic directly to one mono-static view camera.
Software used in the post production process included Adobe Premiere Pro and Adobe Audition.