Winged performers in the streets, armed with water sprays bottles, become a metaphor to the relationship between a Colombian filmmaker living in the United States and the aerial fumigations of coca crops occurring in his native country. Different perspectives of the topic are explored through images and sounds, but especially, through his opportunity to travel to southern Colombia, where the fumigations have been taking place. Aspects of documentary filmmaking are mixed with elements of the film essay genre. Animation, news, and found footage also take part of this visual and sonic collage that thrives to represent the filmmaker’s position and to some extent, the position of any viewer.

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