A proof of concept made for the Broken Social Scene song 'All to All.' It's composed of over 7,000 high resolution stills shot using a microscope, some paper and a bad printer.
Thanks to Jim Le Fevre for featuring this work on his site!
"In the 1950s cinema was as important as bread – but it isn't the case any more. We thought cinema would assert itself as an instrument of knowledge, a microscope ... a telescope.... At the Cinémathèque I discovered a world which nobody had spoken to me about. They'd told us about Goethe, but not Dreyer. ... We watched silent films in the era of talkies. We dreamed about film. We were like Christians in the catacombs."
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