Retrospective by Xavier Le Roy
October 2–December 1, 2014
With Eleanor Bauer, Andrew Champlin, Sherwood Chen, Lindsay Clark, Alex Escalante, Ben Evans, Moriah Evans, Bryana Fritz, Michael Helland, K.J. Holmes, Iréne Hultman, Columbine Macher, Oisin Monaghan, Katy Pyle, Will Rawls and Takahiro Yamamoto.
For more information please visit: momaps1.org/exhibitions/view/388
Retrospective is organized at MoMA PS1 by Jenny Schlenzka, Associate Curator and Alex Sloane, Curatorial Assistant.
The exhibition was originally organized by the Fundació Antoni Tàpies, Barcelona at the invitation of Laurence Rassel.
Retrospective is presented at MoMA PS1 as part of Crossing the Line 2014, a festival created and organized by the French Institute Alliance Française (FIAF).
Crossing the Line is the French Institute Alliance Française (FIAF)’s annual fall festival presenting interdisciplinary works and performances created by artists from around the world in New York. The festival provides opportunities for New Yorkers to explore the dialogue between artist and participant, examine how artists help re-imagine the world, and engage in the vital role artists play as critical thinkers and catalysts for social evolution. Crossing the Line is initiated and produced by FIAF in partnership with leading cultural institutions and takes place this year from September 8–October 18, 2014.
The presentation at MoMA PS1 is made possible by MoMA's Wallis Annenberg Fund for Innovation in Contemporary Art through the Annenberg Foundation.
Additional support is provided by the MoMA PS1 Annual Exhibition Fund and the French Institute Alliance Française (FIAF) and the Institut français within the framework of the TransARTE program.
Presentations of Retrospective are supported, in part, by FUSED: French U.S. Exchange in Dance, a program of the New England Foundation for the Arts’ National Dance Project, the Cultural Services of the French Embassy in the United States, and FACE (French American Cultural Exchange), with lead funding from the Doris Duke Charitable Foundation and The Andrew W. Mellon Foundation, with additional funding from the Florence Gould Foundation; and with support from the Institut français through the TransARTE program.