Fragmentos sobre un continuo inmanente, for dancer, voice, and live electronics (2015).
In this piece, timbre is configured from the sonic qualities of the bodies that match in the generated and perceived time and space. The immanent quality is the constant transformation. Over that becoming, fragments of itself manifest as idyllic stops of unrepeatable, unique, and ephemeral instants.
This is the last piece of the cycle dedicated to the timbral exploration from the interaction of sound and movement, which accompanied my Master's Thesis.
Alejandra Villa, choreography and dance.
Mauro Herrera, programming and live electronics.
Michele Abondano, voice and live electronics.
Recording of the premiere at Faculty of Music, Universidad Nacional Autónoma de México.
June 26th, 2015