Hello, my friends. In this brief video, I'll explain the basis of transcoding, showcasing the workflow outside of CS5; then we'll segue to a native workflow in Premiere Pro CS5, and I'll explain some scenarios for staying native or moving to an intermediate codec.
This video also highlights the round-tripping capabilities of CS5 with FCP and AMC, and also points out some misconceptions about transcoding vs. staying native with H.264 (DSLR) footage.
"Rave On With India", "Zippity-Zap!" and "Withering Tree" written/recorded by Jason A. Levine