Gwyneth Wentink, Wouter Snoei and Arnout Hulskamp present In Code, an audiovisual performance of Terry Riley’s ‘In C’ for harp, electronics and visuals.
Gwyneth Wentink, Wouter Snoei and Arnout Hulskamp’s interpretation of In C is inspired by its very first performance in 1964; a pioneering performance (with Steve Reich among others) where live electronics and “real-time” visuals were integrated into an ensemble of acoustic instruments. In Code investigates the coherence of sound and image, creating a mix of enthralling audible and visual textures. In Code revolves around the themes of embodiment and structure, creating surprising and unexpected connections between the senses.
‘’One of the joys of In C is the interaction of the players in polyrhythmic combinations that spontaneously arise between patterns. Some quite fantastic shapes will arise and disintegrate as the group moves through the piece when it is properly played.” – Terry Riley
more info: in-c-ode.com
Harp/Electronics: Gwyneth Wentink
Electronics: Wouter Snoei
Visuals: Arnout Hulskamp
Project Management: Danielle Boelling
PR & Communication: Bas van den Broeke
Technical Engineering: Luuk Meints (AMEI) & Teun Verkerk
Video: Tanja Busking
Graphic Design: Collective Works
In Code is a production and initiative of State of the United Arts.
With the generous support of: Stichting Harp, Salvi Harps, Hulskamp Audiovisueel, AMEI, Fonds Podiumkunsten, Stimuleringsfonds voor de Creatieve Industrie, VSB Fonds, Fonds 21, Prins Bernhard Cultuurfonds.