Felix Mathias Ott’s new piece is more than just a recount of ‘The Iliad’ by Homer: Three men are controlling the plot with archaic force and energy, creating Trojan spaces. A choreography of constructing and destroying turns into suggestive imagery and an acoustic and visual landscape, that entices the spectators to face their own desires. Collage-like ‘A Iliad’ is wandering from the current stage to the ancient polity and back to the present, which is unmasked due to its invisible games. Two men on stage, heavy bodies, everyday clothes. Workers not warriors. Ott presents us with two men slaving away in harmony. The men work with axes, cordless screwdrivers, and tools of all types in utter peace and constant symmetry. In all this Ott demonstrates once again his mastery of all theatrical means: light, sound, wind – everything seems to be finely coordinated and precisely applied. Elisabeth Nehring, Deutschlandradio
“Topos (place) seems to be something mighty and difficult to grasp” Aristoteles
Performance by Felix Mathias Ott
Performer: Ante Pavic, Maik Riebort
Artistic advisor: Helga Wretman
Sound: Alex Kassian
Light design: Martin Pilz
Production: Inge Zysk
with special thanks to falko purner
sponsoring: holz possling, baubühne gmbh
Production: Felix Mathias Ott / Co-production: Tanzfabrik Berlin, Student Centre Zagreb (University of Zagreb) – Culture of Change. In the frame of Apap – Performing Europe 2011-2016. With kind support of Hauptstadtkulturfonds Berlin.