Photographer Harry Callahan's principle model throughout his career was his wife Eleanor. Late in their relationship she accused him of misogyny. Is it possible to show a bit of Callahan's marital dynamic without being called misogynist, or without some intellectual bringing up the word Scopophilia--the 'male gaze' that is de-facto in media and culture?
When this film was shown at the Newport Beach International Film Festival 2013, I was accused of being "sexist." Huh?
Script, cinematography, music, and sound design by Nick Venden