Titorelli is video. It’s that simple. However, he is also a muse of possibility that, for me, breaks down the barriers of my mind, allowing me to recontextualize my space, place, and even my body in the world. With Titorelli I look to destroy notions of imprisoning symbolism and exist as a liberator of mundane perception. Titorelli can only be seen through the eye of the camera because the camera does not have a conscious mind that limits what Titorelli is or can be. For Titorelli, the camera is a metaphor for an eye unshackled by the logical mind, an eye free to see beyond the context of the "what is." For Titorelli the camera is an object of both life and supreme liberation. By referencing art and performance history Titorelli uses his powers of recontextualization and invites the viewer to open their eyes and be enveloped by his/video’s majesty.
In the Titorelli Surveillance Camera Performances, Titorelli offers a gift to public surveillance cameras, releasing them of their oppressive connotations. Through a loving gestural dance, big brother becomes loving mother, inviting Titorelli to suckle. So come, be video with Titorelli.