This film examines the relationship between the 1950's movie gimmicks and the contemporary blockbusters through the synesthesia of the classical abstract cinema.
"Bay’s highest inspirations are those of a virtually experimental filmmaker of pure sensation; the rush of sensation is also a temptation for experimental filmmakers who often don’t keep their own images onscreen very long (cf. Stan Brakhage)."
(Richard Brody, The New Yorker)
- screenings:
Process Film Festival, Riga, Latvia, 2017
Diametrale, Innsbruck, Austria, 2017
Eyemith Film Festival, Toronto, Canada, 2017
Antimatter Film Festival, Victoria BC, Canada, 2017
Alternative Film/Video, Belgrade, 2017
