In this multimedia-based performance an opera singer (anna.laclaque) combines her voice with live-electronics (Michel Lavignon) and sets the merged acoustic oeuvre into the context of a movie. Voice and electronics enter a dynamic interaction disturbing each other. It is essential for the authenticity of the performance that everything is generated on stage without any addition of pre-recorded samples. A multiplicity of acoustic images is generated, interrupted by highly dynamic runs through a tunnel as a symbol of a transition into a new state of mind. Ultimately, the voice is decomposed, overlaid and gets unrecognisable, and emerges as a new voice after each tunnel. The performance evokes different emotional states which in their serial composition are associated with a disoriented search for the own identity.