Weidong Yang and Daiane Lopes da Silva - Brainwashing Machine and MESH with Kinetech Arts
(Timely note: They're displaying their work, closing this Saturday:
BRAINWASH MACHINE or, How I Learned To Stop Thinking And Love The Label, is an exploration in dance, big data, IOT, and audience participatory installation, of how labels frame thought and shapes judgment in modern life. This performances was part of the Can We Design Freedom? event at YBCA. MESH is Kinetech Arts newest work, which is being currently developed during Combustible Residency at CounterPulse Theater. In MESH, Kinetech explore a complex network of physical limitations and human connections through data and dance, projection mapping and motion capture.