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Through grasping, clutching, and refusals to let go, four contemporary melodramas (In the Mood for Love, A Single Man, Carol, Moonlight) use the sensation of touch to produce affective histories of longing and being long in time.
First published in [in]Transition, Journal of Videographic Film & Moving Image Studies, 5.2, 2018.
Recently featured as one of Sight & Sound's top video essays of 2018.