We grew up with soundtracks by Jerry Goldsmith like "Alien" and Bernard Herrmann's "Psycho". Reaching to more recent composers, Michael Giacchino (Star Trek) and John Debney (Predators) are an inspiration for us as composers. It triggered a deep longing within us to create a tool series for scoring film in a way that hasn't been produced before. Tutti opens a new world of rich cinematic orchestral sound and offers you a broad range of unique sounds with a character that is unmatched in richness and quality. What we did was create sections with full orchestral cues spanning over 4 to 8 bars. Each cue was recorded in a staggering 5 positions and each of these positions is 100% available for editing in the proven effective Sonokinetic user interfaces.
This library includes full orchestral samples like: Long and short tension builders, sustained patterns, highly detailed textures in multiple styles and complexities, full orchestral hits and big smashes, chord bending, glissandi and crescendi. Each cue has been recorded in multiple takes and a selection of the best takes is available in this sample collection. Providing the composer with a tool that has so much variety and editing possibility inside that no sample from this collection will ever sound the same. Thus preventing over-usage or the feel of recognition. A little tweaking in mic positions, or choosing a different take of a particular cue will result in a different sounding musical fx or phrase