Video directed by Denise Uyehara, in collaboration with James Luna (also performing), and video artist Cait NiSiomon. Soundscape from Freesounds.
This video was shown on 30 foot wide screen as the preshow for "Ancestral Cartographic Rituals," an in-progress collaboration by Luna and Uyehara, which they presented at Stanford University on November 29, 2017, while Luna was a guest instructor in the Department of Art and Art History.
Details on the Ancestral Cartographic Rituals:
What happens when Indigenous artists test their DNA? How do their findings confirm, authenticate, or contradict traditional creation stories? In this new interdisciplinary work-in-progress, award-winning performance artists James Luna and Denise Uyehara investigate “cultural authenticity,” as it relates to Pacific Rim, evolution and migration, and the here and now.
Ancestral Cartographic Rituals responds indirectly to current-day tribal DNA testing, incorporating live performance, video and original music which interweaves the past and present, autobiography and cultural identity, with poignancy and humor. DNA results point to Native culture originating from Central Asia, which contradicts traditional creation stories and mainstream thought. The two artists confront and grapple with these contradictions, and seek new narratives that inform who they are.
James Luna is an internationally recognized multimedia and performance artist of Pooyoukitchum, Ipi, and Mexican-American descent. A recent Guggenheim Fellow, Luna’s installations and performance artworks address social themes from his perspective as a citizen of a Native nation on racially charged global issues. He was commissioned by the Smithsonian Institution for the 51st Venice Biennale in 2005 to create a large-scale multimedia installation titled "Emendatio."
Denise Uyehara is an internationally presented performance artist and writer of Okinawan and Japanese decent. She is interested in what marks our bodies as we cross borders of identity. She was a lead artist on the “Shooting Columbus” project (with support from MAP and NET/TEN), which explores how life would be different if settlers never come to the Americas. Her earlier works examine at the U.S. occupation in Okinawa, and the complexity of identity, memory and citizenship.