Tiona Nekkia McClodden, The Labyrinth 1.0, 2017
Commissioned by Visual AIDS for Day With(out) Art 2017, ALTERNATE ENDINGS, RADICAL BEGINNINGS, curated by Erin Christovale and Vivian Crockett
The Labyrinth 1.0 is a poetic film essay that cites writer and poet Brad Johnson's poem "The Labyrinth," published in 1995 in the anthology Milking Black Bull. Sourcing 16mm surveillance footage,16mm 1970s tearoom porn, and structuralist film footage shot in North Philadelphia, the work visually explores the concept of the labyrinth space as a site for cruising and gestural based desire.
Tiona Nekkia McClodden is a curator, visual artist, and filmmaker whose work explores and critiques issues at the intersections of race, gender, sexuality, and social commentary. Themes examined in McClodden's films and works have been re-memory and more recently narrative biomythography, and shared ideas, values, and beliefs within the African Diaspora—what she calls, “Black mentifact.” McClodden’s work is interested in exploring intersubjectivities within Black communities as a tool for creating insider perspectives within film, time based works, and objects. McClodden lives and works in Philadelphia, PA.
December 1, 2017 marked the 28th anniversary of Day With(out) Art, a day of mourning and action in response to the AIDS crisis. A presentation of short film and video works held concurrently at over one hundred art institutions and universities, Day With(out) Art is organized annually by Visual AIDS, the only contemporary arts organization fully committed to raising AIDS awareness and creating dialogue around HIV issues today. This year's program, ALTERNATE ENDINGS, RADICAL BEGINNINGS, prioritizes Black narratives within the ongoing AIDS epidemic and features seven new and innovative short videos from artists Mykki Blanco, Cheryl Dunye & Ellen Spiro, Reina Gossett, Thomas Allen Harris, Kia LaBeija, Tiona Nekkia McClodden and Brontez Purnell, curated by Erin Christovale and Vivian Crockett for Visual AIDS. In 2017 ALTERNATE ENDINGS, RADICAL BEGINNINGS screened at 116 venues worldwide, premiering at the Whitney Museum of American Art on December 1, with additional marquee screenings at the Schomburg Center for Research in Black Culture in collaboration with The Studio Museum in Harlem, as well as the Museum of Contemporary Art Chicago and The Museum of Contemporary Art, Los Angeles.