‘long live the new flesh’ 2017
medium: shoes, metal, wood, motors, electronics
dimensions: 18’ x 1’
The disembodied shoes lining the gallery wall evoke the neurotic polyrhythms that accompany the demands of an increasingly globalized labor production. The frenetic energy expended in this piece is depicted as a pathological byproduct accompanying contemporary life in this ‘Age of Anxiety’ and shows how different modes of production — both material and technological— keep apace despite shoes not being filled.