In progress - experiment without sound.

Two parallell planes of meaning meet each other, the movement/dance and the superimposed words. The sequences of the dancers are cut up and put together again, giving the movement and relation between the dancers a more present and immediate meaning, not defined by chronology but the context of film and unchronological events. The film is both abstract and concrete, there is no hidden narrative, only movement, relations and words.

Loading more stuff…

Hmm…it looks like things are taking a while to load. Try again?

Loading videos…