Coming soon as part of a double feature w/ THE DESERTER, this film is something of a classic of exploitation cinema - a genre (if it can be called that) rarely explored in Greece. And certainly very rarely before the 1970s and 80s. What is even more surprising is how relentless and indeed, eye opening the film is. We’re talking about THE WILD PUSSYCAT, a film produced in Greece in 1968 but not officially released there until 1972. And then only in a cut and compromised version. To the best of our knowledge it has never been released before on any form of home video platform anywhere in the world.
The original Greek title of the film was Καυτή εκδίκησις – meaning “Hot Revenge”. It was later re-released as Hot Revenge of Sex, just to make things clearer. The simple plot concerns a woman whose sister was exploited and driven to suicide by a sleazy pimp. In order to get revenge on him the sister seduces the man, drugs him and imprisons him in a sound proof room, tormenting him through a large one-way mirror (he can see out, no-one can see in) by performing sultry strip tease dances and having sex with men and women while he can only look on, helpless to stop it.
Eventually she castrates the man and sets him free, leaving him crawling along the road howling like a beast.
Strong stuff! And, if the plot sounds familiar to fans of Italian genre cinema – yes, it was “borrowed” by Joe D’Amato for one of his 1970s productions, EMANUELLE’S REVENGE.
In spite of its lurid subject matter and upfront depiction of sex, THE WILD PUSSYCAT was not a low budget quickie with a cast of unknowns and a first time film maker. It was directed by Dimi Dadiras, one of the most successful director/producers of the period, and it features one of the big stars of Greek cinema – Gisela Dali, known in her day as “the Greek Bardot”.
There have been a handful of repertory screenings of the film in the US in recent years and its every showing has been greeted by audiences with wild howls of delight. It really is unlike anything you’ve ever seen before and we are sure any fan of the Mondo line will find it essential viewing.
The forthcoming disc will include two versions of the film – the uncut export print and the Greek domestic release which replaces much of the original’s sleaze and tease with a sub plot involving drug smuggling, juvenile delinquency and the sort of moralistic police detective who seemed to be a specialty of Greek crime films of this period.