According to historians, dance is the root and most ancient form of all kind of performing arts. From this perspective we can call it also a proto–performance.
Regardless of culture, religion, language or any other identity–defining aspect, this is an art form which can be found universally all around the world.
Moreover, dance goes beyond the human being – we know many other species, who dance their very own dance. What is common in the dance of the humans and the animals is the authentic instinct, where instead of its aesthetic experience it holds a practical function: a sophisticated evolutionary tool for choosing a mate.
The duet of Beáta Egyed and Gyula Cserepes is focusing on this core essence: the primal instincts as the birthplace of dance. Their approach is to keep shaking their bodies through the whole performance. This made-up ritual of resonance creates a vibrating space, where spectator and performer may enter a different dimension together. Through taking a journey into the depths of oneself, pursuing those ancient „rules”, coded deep in our genes, we sink into the place before human speech. Into the grey zone where human and animal are not yet so clearly distinct and perhaps beyond.
The never-ending shaking of the two dancers fill the space with an invisible net of vibrations. Slowly it deconstructs expectations, impatience and ignorance. Slowly it gets under the skin of the audience. Subtly it radiates around the ring of spectators, transforming the stage into a space of the ever-changing. The constant shaking only exaggerates this feeling of being outside of the body, outside of the common consciousness. The transformation and psychosis of the performers keeps revealing primal images, which we can all relate to, yet we tend to forget about. If we let go of our resistance, we might find ourselves at the entrance of ecstasy and perhaps even entering a state of trance.
Through the continuous transformation of feminine and masculine images, Late night show is reaching to this movement experience growing out of our ancient, authentic instinct. The fragile dance of the two performers is a rapture of the never-ending circulation that evolves from the tension between the two halves of a divided universe. This performance is a lyrical representation of the tragedy that is derived from the intention of creating a unison, which can never be processed. A contemporary adaptation of the eternal, “together, yet alone” ballade.
06.04.2018. – MU Színház, Budapest HU
Authors & performers: Beáta Egyed, Gyula Cserepes
Lights: Ints Plavnieks
Music: Januš Aleš Luznar
Costume: Judit Kis
Photographer: Dániel Dömölky
Promotion producer: Péter Boldizsár
Cameraman: Máté Batka
Chief light technician: Balázs Dimeth
Co-production partner: OFF Foundation
In partnership with Workshop Foundation.
The performance has been realized with the support of Life Long Burning – DanceWorks!, the programme of the European Cultural Fund.
Support: Audiotechnika (HU), MoveIn Studio (HU), National Cultural Fund (HU), SÍN Arts Center (HU), Zagrebački Plesni Centar (CRO)