By the end of 2017 while I was working on the orchestrations for Ted för kärlekens skull, supervising the final Mix for the "Operation Liberland" Score, and preparing for the Live Set "Music for Dreamers", Rubin Henkel came to visit me at the studio inspired by the article published by "Behind the audio" where I spoke about working with musicians in my scores.
Out of that visit he decided to join me for a couple of days and do an Artist Spotlight on my work...
Here a small little trailer
Sebastian Pecznik on working with live musicians on film scores
“To decide what to do with the music budget is where experience and both techniques and having studied music really come in handy.”
“Die Berliner”. Genio e sregolatezza: a tu per tu con l’artista rivelazione Sebastian Pecznik